Outlaw Guns by Robert Moore Williams

ARCHER Outlaw GunsA panic-stricken Ben Ames rides a rough trail into Carter County, in desperate search of a mythical town renown as a haven to outlaws looking to go straight. Wrongly accused of murder, Ben walks fearfully into the office of Sheriff Amos Rockwell, an oldster whom clearly, despite his age, can whip any gunslinger. Amos bids the outlaw to enter, sit, and spill his guts.

Ben does just that, slaps his circular on the desk, and describes his scenario. Sizing him up, the sheriff extracts a worn black book and shows Ben the contents. It is filled with pages of WANTED posters. Each page has annotations by the sheriff in the form of “when arrived,” “details of behavior,” and dates of death and why they died. For, Amos has one rule: walk the straight-and-narrow and if you don’t, he’s gonna shoot you dead. And he legally can hide behind the justification that you ARE, in fact, after all, a WANTED MAN !!!

Trusting in Ben’s wish to do go straight, he offers him a job, as a secret deputy. But then a young lady enters and is also deputized. Ben Ames wonders if Amos has lost his mind. In short minutes, he has done just that, as a Sharps rifle-blast rents the air and blows a hole through the sheriff.

Left in charge of keeping the county civil, he finds that the nearby mining town’s wagon train is robbed, within a day of the sheriff’s death. Realizing now the cause of his death, Ben Ames sets out to find the murderers and bring justice back to Carter County…in a fashion after the hard-hitting stylings of the ex-sheriff.

But when Ben is blackmailed by a cretin wielding the black book, who is also married to the deputized girl, Ben finds his back against the wall, for if he fails to adhere to the demands of this creep, he’ll call the United States Marshal to pick up: Ben Ames: Wanted…for Murder!

Ben is one man alone against a county of villains, or, is he? When ex-outlaws-turned-straight-honest men approach him in the sheriff’s office under the cover of darkness, he learns that these outlaws might be the secret strength needed to back his play to….well, you’ll just have to read the novelette yourself.

Honestly, this is an excellent western, screamingly scrunched into 33-pages using a font type smaller than what you are currently reading here on Facebook!!! Tightly packed and murder on the eyes (grab yourself a magnifying glass) you can count on Robert Moore Williams to supply a highly competent Western yarn in his usual first-rate story-tellin’ style!

Outlaw Guns was published by the Archer Press in 1948. It was originally printed in the USA pulp Mammoth Western (November 1947).

Outlaw Guns by Robert Moore Williams

Guns for the Valley by Russell Storm

ARCHER Guns For The Valley
On returning home to Maikop Valley, 22-year old Tom Crenshaw is back to reclaim his murdered father’s homestead. Five years earlier, Tom, then 17, witnessed Max Hoffman’s riders bullet-riddle his home, murdering his father and burning the home to cinders. With the realization that the Hoffman raiders believed that he was home, too, he lit out for parts unknown, to save his own life. Now, five years later, he sports a six-gun and rides with two tough gun-slinging friends with women of their own, looking for lush lands to settle and cultivate.

Tom only needs to settle a few things: his family land, a blood feud, and claim the hand of Lucy Larkin.

But when he learns that Hoffman has married Lucy and told her that Tom died five years earlier, he’s not the only one looking for answers. Lucy Larkin, fearing for her husband’s life after Tom ghostily re-appears into her life, chambers a six-cylinder into her clothes, slaps leather, and rides out to finish off Tom for keeps, despite the apparent lies that Max Hoffman has told her….

Will Lucy Larkin slay Tom, her ex-romantic childhood flame?
Will Tom and the homesteaders be fanned with hot lead?
Is Max Hoffman truly innocent?
Or, is there something else more sinister afoot?

Guns for the Valley carried Robert Moore William’s alias “Russell Storm” on this publication, which was originally printed in MAMMOTH WESTERN (August 1947). This British edition, printed by the Archer Press, appeared circa 1948, is a 33-page pamphlet.

Guns for the Valley by Russell Storm

Want to buy: Newspapers and Pulps!

I am hunting hundreds of detective pulp fiction magazines. Please quote me any titles you have available, from the 1920s and 1930s and 1940s. Condition does not matter. I enjoy reading, and even rough copies can be read!

Also purchasing many assorted newspapers. See my list below !

PLEASE CONTACT ME AT:
morganwallace AT gmail DOT com

Chicago Ledger (1901-1923)
Illustrated Story Weekly (1923-1924)
Weekly Ledger (1924-1925)
Blade and Ledger (1925-1938)

I am interested in the following years.
Quote all issues.
I often buy spare copies as upgrades.

1901, 1902, 1903, 1904, 1905, 1906, 1907, 1908, 1909,
1910, 1911, 1912, 1913, 1914, 1915, 1916, 1917, 1918, 1919,
1920, 1921, 1922, 1923, 1924, 1925, 1926, 1927, 1928,
1929, 1930, 1931, 1932, 1933, 1936, 1937, 1938

Also collecting numerous other story newspapers, including the following titles:

Toronto Star Weekly
(Magazine Sections, 1920s-1940s)
Toronto Star Weekly
(Complete Novel, 1920s-1940s)
Montreal Standard
(Complete Novel, 1920s-1940s)
Fiction Magazine
(Saturday or Sunday edition, 1916-1918)
Literary Magazine Section
(weekly: 1909-1910)
The Illustrated Companion (monthly: 1915-1916)

Want to buy: Newspapers and Pulps!

“Death Takes a Hand” by Frank Griffin

BEAR HUDSON Death Takes A HandPublished 1945 by Bear, Hudson, Ltd., “Death Takes a Hand” by Frank Griffin represents the publisher’s 25th printed title, and is printed on some form of flimsy cardboard stock paper. The 40-page pamphlet features a mediocre cover illustrated by H. W. Perl (which recycles a Hollywood film cut-out in the background). This is “reportedly” the author’s first fiction novel.

Born 15 October 1911, Charles Frank Griffin married Kathleen Cawood and sired many children. He served during the war for a number of years. Released from service, Griffin began to churn out gangster novels, and a few Westerns, from 1945 through 1951. And then, inexplicably, he vanished. Why precisely he abandoned the lucrative writing market when his fiction writing prowess had developed admirably, is beyond my ken.

However, if I had began by first reading “Death Takes a Hand,” I probably should never have read another Griffin book again. I’m not saying that it is horrible, mind you, but, well, it is not up to the higher level of quality that Griffin later came to represent. I’m not entirely sure this is Griffin’s fault or if the publishers excised a ton of text to make it run faster. The blurb runs: “…the tough, exciting, and streamlined story…” It’s certainly tough in places. Exciting is a stretch. Streamlined? Hardly.

If you have come this far, perhaps you are beginning to wonder what the plot of this novelette is? Okay.

Mart is running an illegal petrol / coupon business (along with other illegal activities) during the war. While discussing business with a fat man, he brings in a piece of fluff. She’s terrified of Mart and the fat man notices that she has been brutally beaten, perhaps by whippings. He threatens Mart and departs. Under normal circumstances, such a person is immediately murdered. Mart simply laughs, indicating confidence and perhaps, that he is slightly, mentally unstable.

After an illegal mission, Mart sends one of his henchmen to hire a replacement driver. They pick on recently discharged Dick Moxton, and pushing him into a drunken stupor, he meets two unsavory molls, Flo and Chinky. Here, the novel pushes into pure racism. Flo is short for Florence, and while drunk, Moxton is baffled why her hands her black while his are white. Chinky is Chinese. The girls are more than just fluff; they are tough, mean characters.

While on a driving assignment, Moxton spots a young lady trying to hitch a ride. He stops, and inadvertently rescues the young lady that Mart had terrorized and whipped. She somehow has escaped from captivity. We are given to understand she somehow escaped via the ineptitude of Mart’s servant, and that is all. Moxton inexplicably falls in love with the girl, whom is a refugee, puts her up somewhere safe and we never hear from her again except as a closing side-note at the conclusion.

That aside, Inspector Kemp is soon on the case when Moxton is brought to a hospital with his head bloodied. Seems that, while at Mart’s home, where a party was held at night, he walked out and heard a fight. Mart was assaulted by an unknown assailant, and robbed. Seeing the skirmish, Moxton, quite tipsy, attempted to intervene, but was bludgeoned. Bizarrely, Mart had Moxton brought to the hospital, and thus enters Kemp, after Doctor Raven pays him a visit, explaining the odd circumstances of his admittance and the wound. Kemp interviews Moxton, whom feigns memory loss, but Kemp isn’t falling.

Smelling trouble, he investigates Mart, learns of the illegal petrol dealings. Flo goes missing, is brutally beaten to death by Mart, and then buried with the help of another villain. Flo’s bloodied rags go missing from the room, Mart panics that someone is aware of the murder; he is later blackmailed for 10,000 pounds, and the person arriving to claim the funds is the original fat man from the beginning. We also learn that he was the man that assaulted and robbed Mart. Failing to secure the funds from Mart, the two tussle, the fat man tries to escape but ends up running upstairs into an inescapable room and Mart beats in his face…literally beats it in. Blood is everywhere by the time the servant finally arrives on the scene.

Seemingly the next day, Moxton enters, demands his back-pay, and Mart demands to know the location of the refugee. Moxton decks him, robs him, takes his safe key, and finds his own wallet (which was missing after HE was hospitalized) in the safe, and, he ruthlessly stomps his foot into Mart’s face and teeth.

Mart’s world continues to crumble when a house of ill-repute ten miles away inexplicably burns to the ground, taking all his henchmen with it (no reason is given for the fire) and Kemp and crew locate the buried remains of Flo in the garden. With a warrant, he approaches Mart’s home, alone, and the pair get into it.

Mart flees the scene, runs to his semi-secret air raid shelter, and enters a secret room. Failing to seal it, Kemp comes down the stairs to confront him. Foolishly, Mart fires and plugs Kemp twice, whom keeps coming for his man. A third shot nails a petrol container (apparently) and the whole place explodes. Kemp is propelled up the stairs, alive, and functional. While the air raid shelter consumes itself in flames, Kemp escapes. They later extract the charred body of Mart, and, the fat man of the inverted face.

Time passes, Kemp is in his office, dismayed by how the incident finalized. It closes with Kemp lamenting that he was cheated “once more” out of a big case. Again? Did Griffin write another tale with Inspector Kemp that we are unaware of…?

There are too many bizarre holes in this story to be taken at face value. Clearly much of the text was cut. And Moxton in the end has secured Mart’s “slave” again and marries her, in what is yes, a traditional happy ending, but an eye-rolling one.

If you have the desire to read Frank Griffin’s literature, you may wish to skip this one entirely, however, if you are like me, go ahead and read it, simply to see just how much his abilities improved with each publication.

“Death Takes a Hand” by Frank Griffin

STAG : Man’s Own Magazine (Spring 1946)

The second world war is over. And out of those ashes arose a plethora of new publications, borne from the minds of civilians and veterans alike. STAG: Man’s Own Magazine (Vol 1 # 1, Spring [March] 1946) was edited by Bevis Winter, and claimed to be exclusively for “men.” The opening pages are written and signed by the editor, welcoming readers out of the hell of war to the progress of tomorrow.

Stag 1

It’s also littered with stock-photos of Hollywood actresses in various poses.

  • Page 2 – Cyd Charisse
  • Page 27 – Jean Kent
  • Page 28 – Margaret Lockwood
  • Page 32 – Marilyn Maxwell
  • Page 37 – Phyllis Calvert
  • Page 41 – Ava Gardner
  • Page 42 – Frances Rafferty
  • Page 67 – Patricia Roc

An assortment of articles aimed at men include historical male figures, sports, men’s dress code, household, automobiles, etc. Then there are the usual cartoon and comic joke-snippets interspersed by artists such as “Merlin,” Geoffrey Wadlow, and a pair of others.

The real gems are the fiction stories, most of which are supplied by quality writers.

  • Ralph L. Finn – A Dame with a Difference (pages 7-11)
    A man jaded on women finds the woman of his dreams and they romance each other to pieces but he bails out on her when marriage is brought into the equation.
  • Hervey Elliot Scott – He Shot a Fat Lady (pages 16-20)
    A humorous circus murder story, involving the presumed murder of the Four Ton Florrie by the India-rubber Man. The police try him for murder, he is convicted, but, when they attempt to exact vengeance in the name of the law, bullets bounce off him, hanging him only stretches his neck, electrocution fails, etc. You get the idea. We then are informed that the Fat Lady is not dead! She merely was in a coma due to the folds of her fat, where the bullet had lodged.
  • Dennis Wynne – And the Blood Coursed Freely (pages 21-26)
    The story involves a man reliving his youthful days through a variety of action-filled silly scenarios; finding a beautiful woman, fighting and losing her. Purely a humorous tale.
  • Denys Val Baker – Water (pages 49-51)
    Baker delves deep into the sinister fascination a hydrophobic deals with on a regular, daily basis, in all forms and fears.
  • Gerald Kersh – Vision of a Lost Child (pages 55-58)
    A man grows up re-living a nightmarish tragedy from childhood in his dreams and each time he sleeps, he sinks deeper and deeper in mud. Believing that when the mud succeeds in creeping over him that he will die, he puts off sleep for over a week and seeks the aid of a psychologist. In the end, he falls asleep, and the mud wins. A deep, dark story by a clever writer of weird stories.
  • Brett Ogilvie – The Abnormal Talent (pages 62-66)
    A painter’s works-of-art come to life upon completion, only, he desires to exit the business lest he go insane. When asked by a friend to draw a gun, he performs the task. It is used against him. Thus dying, all his creations-come-to-life immediately vanish. However, the dead artist returns to life, sans his former ability! A entrancingly humorous fantasy.
STAG : Man’s Own Magazine (Spring 1946)

I am buying old newspapers !!!!!

I am hunting hundreds of detective pulp fiction magazines. Please quote me any titles you have available, from the 1920s and 1930s and 1940s. Condition does not matter. I enjoy reading, and even rough copies can be read!

Also purchasing many assorted newspapers. See my list below !

PLEASE CONTACT ME AT:
morganwallace AT gmail DOT com

Chicago Ledger (1901-1923)
Illustrated Story Weekly (1923-1924)
Weekly Ledger (1924-1925)
Blade and Ledger (1925-1938)

I am interested in the following years.
Quote all issues.
I often buy spare copies as upgrades.

1901, 1902, 1903, 1904, 1905, 1906, 1907, 1908, 1909,
1910, 1911, 1912, 1913, 1914, 1915, 1916, 1917, 1918, 1919,
1920, 1921, 1922, 1923, 1924, 1925, 1926, 1927, 1928,
1929, 1930, 1931, 1932, 1933, 1936, 1937, 1938

Also collecting numerous other story newspapers, including the following titles:

Toronto Star Weekly
(Magazine Sections, 1920s-1940s)
Toronto Star Weekly
(Complete Novel, 1920s-1940s)
Montreal Standard
(Complete Novel, 1920s-1940s)
Fiction Magazine
(Saturday or Sunday edition, 1916-1918)
Literary Magazine Section
(weekly: 1909-1910)
The Illustrated Companion (monthly: 1915-1916)

I am buying old newspapers !!!!!

Gerald Kersh – The Battle of the Singing Men, and selected stories (1944)

STAPLES The Battle Of The Singing MenIt’s a rare opportunity to read such an obscure publication and enjoy it. Such was the high level of expectation.

Gerald Kersh hardly needs any introduction. You can readily GOOGLE his name in quotations marks, and find zillions of sites, mostly copycats of each other, happy to cough up information on the author. Ironically, most of the sites plagiarized data from each other (as the same wrong data appears on every site).

In a brief note, Gerald Kersh is English-born, Jewish, his autobiographical novel Jews without Jehovah was published 1934 and the novel was suppressed as libelous by his family (for failure to conceal their identities) and is subsequently quite rare, obtained broader fame with Night and the City in 1938 which led to two films, and if his death should have led to becoming an obscure footnote in literary history, author Harlan Ellison has noted that Kersh is his favorite author. This has inspired a whole new plethora of readers and created new fans of his material.

Kersh lives!

His older, earliest stories often deal with the lower echelons of humanity and, quite realistic portrayals they are; no doubt ripped from real-life experiences and as a result, fictionalized on some level. I’ve never actually read a collection of his works. A story here or there in various publications, over time, certainly.

The cover title states The Battle of the Singing Men and Selected Stories. Inside, the title page merely states Selected Stories. It was published by Staples and Staples in 1944. This yellowish-orange colored booklet contains only 9 stories.
The original publications are noted after each title, below:

7 – The Battle of the Singing MenJohn o’ London’s Weekly, December 8, 1939
13 – Will to PowerThe Star, November 5, 1938
17 – DudelsackJohn o’ London’s Weekly, October 9, 1942
20 – The Musicians
* First publication unknown
31 – The UndefeatedIllustrated, Sept 27, 1941
41 – The StoneJohn o’ London’s Weekly, June 20, 1941
47 – The Drunk and the BlindPenguin Parade #4, 1938
54 – Prometheus Evening Standard, June 23 1938
57 – The Extraordinarily Horrible DummyPenguin Parade #6, 1939

The last tale is the only “fantastic” or supernatural story present, and, fails to touch upon any new territory. Like many of its predecessors, the tale involves a ventriloquist’s dummy that has an evil spirit. That spirit turns out to be his asshole father. Earlier versions of this sort of tale often involve artists creating models from clay, marble, etc, and the form evilly coming to life and either leading the person to insanity or eventual death.

STAPLES Selected StoriesThis edition was originally preceded by a thicker digest-paperback edition, same publishers, under the title Selected Stories, being No. 2 in their Modern Reading Library (1943). This edition actually saw at least two editions, both identical, save for the copyright notice. The book also contains an acknowledgement, courtesy of Mr. Kersh, dated, November 1942. The pages are bound in “hard” paper covers, and contains 23 stories.

Confused? Perhaps not, but for collectors, or more accurately, completists, most do not know about the orange “cheap edition.” It’s not properly indexed anywhere online, this (the Internet) being universally the first place most look to for their information.

Hence my note that many (most?) online sources are plagiarists! The orange edition is often cited as having been published by Everybody’s Books! And, to further that comment, I suspect I know how that attribution came to pass. See, Everybody’s Books was also a bookstore, and often took in battered books during the war years, and gave them a new life. As you know, the war years were tough on publishers and printers, due to strict paper-rationing. So, what better way to make money than stripping off the damaged covers and re-issuing a fresh one? They did just that, and for those not in the “know,” they assume the book is a rare variant published by Everybody’s Books. But if you look closely at the covers, it clearly states “Everybody’s Re-Bound” edition. These re-bound editions are largely ignored and recorded, as thus, in error.

It is perhaps important to further note that both of these editions published by Staples and Staples predate the mid-1944 release of The Horrible Dummy and Other Stories published in England by William Heinemann.

Gerald Kersh – The Battle of the Singing Men, and selected stories (1944)