Elizabeth Anthony’s MURDER novels

Elizabeth Anthony wrote two murder novels, “Dramatic Murder” and “Made for Murder.” Both were published by Hodder & Stoughton (London). The former was published 1948 whilst the latter appeared in 1950. Oddly enough, it seems that Elizabeth Anthony would fail to render another story until her short “Seventh Murder of Henry’s Father” appears in Ellery Queen’s Mystery Magazine (Jan 1957). Then, inexplicably, she vanishes.

Or, did she?

Fact is, there is no such person as Elizabeth Anthony….

Aside from all the clues on the Internet and reference books, the most readily available clue manifests on the dedication page of “Made for Murder,” stating “To my sister-in-crime, Shelley Smith.”

Say what?

Shelley Smith is an alias, too. She in fact was born Nancy Courlander, and her sister’s real name is in fact Barbara Courlander. Under Barbara’s married name “Rubien,” she authored “An Island in Piccadilly” in Flying Colours Revue (1943) and the book “The Cup and the Song” in 1947, prior to her pair of murder novels.

But, I’m getting ahead of myself….

Our author was born Barbara Frances Courlander (16 April 1906) at 2 Douglas Mansions, Leux Road, Kilburn, London. She married writer Howard Rubien (I believe this to be Howard Nelson Rubien, whom also appeared in at least 6 films and television) and had one child, Elisabeth (note, not spelled exactly the same as Barbara’s alias). Barbara died 17 Feb 1996 at the Carisbrook Lodge Nursing Home, at Corrig Road, Steyning, Sussex, England.

Little is known about Barbara. I hope to one day be able to alter those minuscule facts, but, we’ll save that for another day. Daughter Elisabeth married (and divorced) Erik Hulsman, but not before giving birth to a son, Robert Hulsman. Robert would potentially be in this 60s or 70s right now, and last known whereabouts find him between jobs, potentially a truck-driver, residing in Canada. Robert, if you or any friends find this post, I would love to correspond and discuss these novels and their history, with you.

Now, on to the pair of mystery novels.

Dramatic Murder” opens immediately with a doctor and a young journalist driving to a castle, invited for Christmas. On arriving, they find the castle empty and devoid of life and sound. Where are all the guests? Where is the host? Gruesomely, they discover Dimpsie above the Christmas tree, arms spread-eagle, up upon a ladder, literally shocked to death. The police arrive, an inquest is performed, and death noted as accidental, if not foolish. But, our intrepid journalist, Miss Katherine Mickey, feels that Dimpsie simply couldn’t have been foolish enough to work on the tree while the lights were plugged in, especially with wet moccasins. Could it have been foul play? Which of the guests, all seemingly innocent and with nothing to gain from the playwright’s dramatic exit, could possibly have set the scene to murder? It’s all very unclear, initially, as each chapter introduces us to the various guests, and systematically, further murders occur. The killer may well have gotten away with the original murder, but Inspector Smith, whom was at the inquest, doesn’t believe in coincidences.

NOTE: Sadly, my copy lacks a jacket.
Click on the title above, courtesy of the
Classic Crime Fiction website, for the image.

Cover art: Bip Pares

Made for Murder” develops with an epileptic winning 10,000 Pounds betting on football matches. With her face and lucky winnings plastered across the English newspapers, and essentially a mental-moron, she abandons her job as housemaid and flees to London. Here, she naively falls for a conman. He takes her to Paris, marries her, convinces her to sign some documents, then murders the simpleton. Obtaining her banked funds from a safety deposit box, he returns to his own wife (a decent woman) and informs her that he has “made good” and come into a lot of money. The pair departs for Guatemala, where he plans to explore and rob archaeological sites. Meanwhile, a lady-friend to the maid’s ex-boss learns of the murder, and, learning that the police are disinterested, begins investigative work of her own. The ex-boss, a botanist, decides to pursue her hunt for a rare flower, in of all places, Guatemala! She injures her leg and meets the murderer and his wife, in a remotely located hacienda. The wife is a sweetheart, and lonely for contact. But, when the murderer learns that the lady is the maid’s ex-boss, and has a photo taken of him with his murdered wife, he determines to murder her and destroy this last superficial bit of evidence against him…


Elizabeth Anthony’s MURDER novels

FIREBRATS # 1: The Burning Land by Barbara Siegel & Scott Siegel

FIREBRATS 1I’m going to veer off my vintage reads and tap something a bit more modern. Please forgive me.

Way back in junior high, I had a strong dislike for reading. My entire family were readers. Every time we moved to another town, city, state, we found that local library (or, in some cases, numerous county libraries) and they spent a good hour or two there, sifting through various fiction genres, or mom through the cookbook section. It was miserable. They tried so hard to get me into reading.

Fact is, I couldn’t stand the crap they (or the schools) wanted me to read. So, in the 5th Grade, we hit the local library and I tried out one of those Choose Your Own Adventure paperbacks. That turned out to be a success (prior failures included the Bobbsey Twins and the Hardy Boys series).

After moving from the South to the North, I found myself in the same rut again for nearly two years. To worsen matters, the 8th Grade English teacher assigned our class to choose a book to read (that he must “OK”) and submit a report.

So, in 1990, while rummaging through dozens of paperbacks, I stumbled across an unusual cover. It featured two teenagers frightened out of their wits: the male wielding a broken bat, the girl staring at the reader in horror, and a sinister-looking landscape. Yes, I had judged a book by its cover. I liked what I saw, was intrigued, read the blurb. Then read it again. Was this for real? A post apocalyptic war novel for teenagers?

I devoured this “easy read” and instantly attempted to locate the rest of the series. The library was able to fill in the remainder, and to my dismay, after finishing the fourth novel, I learned that there wasn’t a fifth novel. How was this possible? It was extremely clear to me, and any other person, that if the series came to an abrupt end, it would be with the fifth novel !!! This was absurd. I felt as though I had been robbed.

At that age, it never crossed my mind to write a letter to the publishers, to be forwarded on as fan mail to the authors.

So, 27 years later, I am writing you now.

They’ll likely never see this….

I want you (Barbara Siegel and Scott Siegel) to know that, 27 years ago, that not only did I thoroughly enjoy reading your 4 novel series, FIREBRATS, but they were instrumental in creating a reader. You were also instrumental in helping me to locate a genre that interested me: post-apocalyptic fiction. I would soon turn to collecting and reading David Robbins’ ENDWORLD and his BLADE spin-off series (the first author I ever wrote a fan letter to and received a reply), the DEATHLANDS series by alias James Axler (I have a fan letter from Laurence James, right before he died), C.A.D.S, DOOMSDAY WARRIOR, the ASHES series, and so many more. Sadly, given that era, all of these assorted series came to an abrupt end in 1991. The Berlin Wall was down, Russia in economic collapse, the Cold War was over. There simply was no reason to continue publishing the genre (although DEATHLANDS continued to be published on a regular basis, no doubt the publishers realizing that they had a steady, loyal readership, and no competition).

So, some years ago, a seller on eBay began unloading his vastly hoarded collection of vintage paperbacks. Among the selection were the first 3 titles in the FIREBRATS series. Nothing impressive about that, except, they were all literally unread. Immaculate. Fresh and crisp as the day they were printed. I had an “in” with a friend of a friend, and nabbed them dirt cheap (versus what online sellers are trying to obtain for shoddy reading grade copies). I have them still, bagged and sealed. Sadly, I have yet to locate a perfect copy of the final novel (a copy is listed, however, it is mercilessly overpriced and the dealer “claims” it is fine, but it is not).

That said, fast forward to 2017. I want to read them, but you can bet your ass that I am NOT opening these 3 beauties. So, like anyone else, I hunted around. No luck. Couldn’t find a cheap copy of any issues. Remarkably, of the few surviving used bookshops in the Central Florida area, one had a battered copy of the second book, for $2 + tax.

There was no hesitation; (I also nabbed a solid Vg+ copy of ENDWORLD # 1 for $4).

With such great savings, I decided to plunk down on a $15 copy (plus shipping) listed on ABEbooks.com. The seller claimed it to be a Near Fine unread copy.


Inside, the first page, aside from penciled numbers from the dealer and the price, a prior owner had inked “JG.” Other than that, yes, the internal pages are gorgeous. The cover, and spine, however, are rubbed, blemished, reading creased, cracked spine, and the laminate faded and dull and crackling all along the edges. This is NOT a near fine book.

Still, $20 for that and $2 and tax for the other, divide by two, and the price isn’t bad. Now, if only I can become as lucky with the final two novels… Not likely, however, I am a very patient person.

On the other hand, I doubt that I will ever locate a mint copy of that final novel to pair up with the other three. Now, if I could obtain the original Les Edwards paintings, that would be icing on the cake! (Let me have my dreams).

So, in a matter of hours, I again devoured the first book. Perhaps not as quickly as my younger self. Why? I’m older. I wanted badly to recapture that old feeling. To some degree, I did, but my youth and innocence have long since been buried.

What I did immediately notice, on reading, is that why the Siegel’s certainly used the Cold War conflict as the reason for nuclear warfare, it all came back to me in a rush that this series never once has Russia invading our soil. We never really deal with the politics of the war ever again. The story, at its heart, is all about the survival of two teenagers (Matthew “Matt” Chandler and Danielle “Dani” Cortland). Matt is a high school athlete (not a talented one) and Dani (the name abbreviated by Matt, initially much to her anger)  is an aspiring actress.

When they first meet, Matt is alone in a theater, setting up for an event that night. Left alone for hours, he is interrupted by a banging outside. Opening up, he meets a heavily make-upped Danielle, dolled up, and while agreeably pretty, Matt is certainly she could be a few years older than he (we later learn she is perhaps six months older than 16 year old Matt). Despite being in the same grade, she attends a prep school, while he is at a public school. They instantly have an intense dislike for one another.

While jamming to his Walkman, his rock-station is broken into by a screechingly high-pitched whining noise. Losing his rock, he spins the dial and finds a public broadcast stating that Russia has launched all their nuclear bombs. Find food, water, and shelter, that the bombs are slated to hit in mere minutes. Talks are off.

Looking outside, he watches bedlam ensue. After briefly attempting to convince Danielle, he begins scooping up all the food and beverages and running them down to the subterranean basement. Meanwhile, she has finally gazed outside and is convinced that the world has indeed gone all to hell. She wants to go home. It’s too far. Persuading her to join him below for safety, they lock themselves in and…BOOM!!!


And now, the real guts of the novel begin. Their first tests not only discovering how to light a candle in the dark, but learning to cope with each other, cabin fever, properly portioning out their meals to last, creating a space to go to the bathroom (no mention of stench is ever discussed in the novel…okay, it IS a juvenile publication, so no doubt the authors were limited), etc. When Danielle hears scraping outside, she joyfully unlocks the door and rushes out…into the waiting claws and dripping teeth of snarling, infected dogs, looking for food.

Espying this warm, two-legged morsel, they attack the dainty delicacy. She leaps into a nearby closet and Matt locks himself in the room again. It soon dawns on him that he must save her life. Making an improvised flaming rag and wielding a chair like a lion-tamer, he ventures out and forces the insane mongrels back, back, back, until he frees Danielle. She escapes back into their room, but Matt falls down and is attacked. Remarkably, rather than selfishly saving herself, she tosses out a chocolate candy bar, unwrapped. The dogs abandon Matt to investigate the candy bar. Diving back into the room, he slips into shock, and Danielle treats his lacerated leg wound with soda.

Time passes, he gets well, and an earthquake hits. The region has never had earthquakes but they are certain it is the result of the nuclear bombs, despite weeks having passed. Running for their lives, they decide to dig their way up and out of their burial, before the complex totally collapses.

Danielle is the first to create an opening to the outside world (never mind the fact their only “fresh” air was via a vent, which was contaminated, and while they earlier did suffer from the affects, nothing further is mentioned about the air quality) and see firsthand the destruction. Nearly every landmark has been obliterated.

Vacating their month-long self-made “home,” they go to her home first to check on her mother. Naturally, she is dead, but Danielle the dreamer had dreamt otherwise. Matt, meanwhile, is waiting outside, allowing her the private time to grieve, when inexplicably, Danielle gives vent to a terrified scream. Matt runs in with his lead pipe and barges into the room. She is standing there, calmer, faced by two men and a woman. They are showing effects of radiation poisoning. Loss of hair, puss, sores, etc. They explain that they heard noise in the house (seriously, a whole town, and they happen to be in the area? and what, climbed a window or rear entrance?) and entering the home, they went to investigate.

Investigate WHAT?!?!?!

They were checking to see if a gang of hoodlums, escapees from a prison, were inside. The rationale seems off. What were these three going to legitimately do even if they did find prisoners? Sing them to sleep? (Sorry Siegels, but I’m older now). Lullaby or not, they convince Matt and Danielle (yes, she is still Danielle, not Dani yet) that they are good guys, and to join their group. They are headed West, to California. Word is that California wasn’t hit as bad as the East coast. Seriously? Word from whom?

They join the motley assortment of survivors, and while out and walking out of town, they are attacked by the prisoners. Several beaten down to death, they steal the food and capture Danielle in the process. Matt falls backwards down into a crater while attempting to save his own life. At the bottom, he splashed into muck and is instantly assaulted once more, this time by ravenous rats.

Kicking and screaming in fright, he manages to escape and climb out of the crater (a bombed-out hole from a gasoline station’s underground tanks blowing up). The survivors say to hell with the girl and attempt to convince that Matt needs to forget her and move on. He can’t. He has to save her or die trying. Shaking the survivors off with disgust, he jogs after Danielle’s captors and learns that they intend to turn her over to their leader, a man sentenced to life-in-prison for rape.

Upon learning that their destination is the hospital, he returns to their month-long lair, and dressing himself up in costumes and make-up and a wig, he then tears all apart to make himself look horrible and ugly, just like them. At night, who will know?

With that singular thought, he indeed infiltrates their base, successfully succeeds in convincing one person that he is one of them, but, unknown to him, it backfires. That man talks to the leader about one of their number being heavily infected, and that they ought to just kill him now rather than waste good food on this person. Meanwhile, Matt locates Danielle stuffed in a dumpster and guarded by two creeps. He pulls a “prop” gun and tricks them into back up. Letting her out, he tells her to run. Giving her a good lead, he points the gun at the rest of the mob and tells them to stay.

However, one of their number has lost his hearing and keeps coming at Matt. He abandons the faux gun and runs after Danielle. Making good their escape via a pipe in the ground, they slowly worm their way through muck in hopes of eventually escaping out the other side. Unfortunately, the cretins discover the pipe and discover where it ends.

Thankfully, or, rather, conveniently, Matt and Danielle see a hole in the pipe. Matt chooses to ignore it, lest they give away their position. Tempted, she takes a peek, against his instructions, and is mortified to see all of the prisoners waiting for them, at the end of the (pipe) line. He pops up out of the hole, first, and while extracting Danielle, one of the prisoners spots her climbing out. Spotted, Matt lunges upright and yanks her out of the hole. They run to his house and while trying to find the basement, she falls through the debris. Thankfully, she neither breaks a leg or her neck. Did she literally fall into the basement or down the steps? It’s not fully clear. Either way, Matt disguises the hole with more debris and they hide below while the thugs search for them.

Managing to dig into the secondary subterraneous basement on their property, Matt and Danielle locate food (mostly spoiled, but some salvageable). Loading up, they unveil his older brother’s motorbike, fill it with a small bit of discovered gas, and effect their escape.

There’s more to final pages and escape but I rather not divulge any more of the plot than absolutely necessary. Let it be noted, that yes, I can’t wait to pick up and read the second novel, simply titled “Survivors.”

FIREBRATS # 1: The Burning Land by Barbara Siegel & Scott Siegel

2015 September 29 “The Helioplane” by Stanley Gray

I’m going to delve into an area I honestly know nothing about…the English “Penny Dreadful.”
No, not the television series, which is about as annoying as a movie entitled “Pulp Fiction.”
Don’t get me started….

Generally, I shy away from these for the simple fact that I predominantly collect 1940s through 1950s British fiction booklets and digests (and occasionally, yes, some pulps).

I made the exception when approached by an Aussie clearing out a family estate. He had a handful of interesting items that fit my interests, and, this one science fiction penny dreadful in the mix, too. Was I interested? Vaguely. After some discussion, I asked if the booklet was complete.

Cover? Yes.
Rear cover? Yes.
Firm binding? Yes.
No missing pages? No.
No missing text? No idea, it’s wrapped and I rather not open it to look that closely.
Fine. I’ll take the chance.

It arrived, and damn it all, the original owner had it in plastic wrap. I find this to be extremely annoying, especially for fragile items. After very carefully removing the Saran wrap, I found that the worst was yet to come. Let’s repeat the above questions with my new answers….

Cover? Present, but detached.
Rear cover? Entirely missing (son of a bitch!)
Firm binding? Hardly. Very brittle. Splitting. Pages parting.
No missing pages? Aside from the rear, no.
No missing text? All text concerning the story is present. (phew!)

You get the general idea. This is nothing new for those dealing with and collecting penny dreadful items. This item is printed on pulp paper. It simply was not designed to survive. A cheap read, and in the trash bin or consumed as fire kindling.

Without further ado and boredom from my blathering, let’s move on, shall we?

The Helioplane

THE HELIOPLANE: The Story of a Voyage to the Planets
Publisher: James Henderson & Sons
Address: Red Lion House, Red Lion Court, Fleet St., London
Series: The Nugget Library # 223
Date: undated (1912)
Page Count: 56 pages
Price: 1d
Cover artist: unknown
Author: Stanley Gray

This is the “1st” incarnation of the Nugget Library series, running 330 issues, from 1907-1916. This issue was printed 1912 (per Robert Kirkpatrick, authoritative penny dreadful researcher in collaboration with the British Library archives). A second series resurfaced after The Great War, spanning 1919-1922 (70 issues).

Whether “The Helioplane” is a reprint or not is unknown (to me).

The story opens discussing an article published recently in the 21st of June, 191- issue of the Physicist, in which a Professor Norton Colby discusses the term absolute zero. A future issue contains a vehement reply by a Professor Gama Mese noting the absurdity of Colby’s claim that helium, in being reduced to absolute zero, would deny the laws of Earth’s gravitational pull and allow one to leave the planet for space and beyond.

The truth is that both professors are working along similar lines and that Mese simply wished to derail Colby’s thought processes. Sadly for him, Colby is the more brilliant (though vastly underfunded) of the two, and managed to eke ahead of Mese in the space-race. Having completed his vessel, he invites Mese (and his son, whom is a schoolmate of Colby’s nephew) out to view his machine. Mese, irritatingly, accepts, after shredding the letter to pieces.

On arriving, they are treated pleasantly by the Colby’s, for they are at heart good people. They misjudge the Mese’s kindness and all board the vessel. Mese is startled to discover that the mechanic is Bennell, an ex-convict. The association between Mese and Bennell is never exploited, however, it is clear that both know each other.

Mese and son, prior, had arranged a secret signal to handicap the vessel. The boy falls onto a device and the vessel is in ruin, or, Colby is in financial straits. The latter becomes the case and the boy clumsily falls and releases the helium, sending them all hurling immediately into outer space. Mese arranges to blackmail Colby, forcing him to sign off against his discovery. He has no choice. It would take a financial miracle to re-accumulate the helium necessary, and Mese, he is quite funded. Bennell takes matters out of Colby’s hands by smashing the lever to return to Earth and sends them all hurling away.

Within 3 days (yes, the writer said “three days”) they arrive on Mars. Add to that speedy fact that the atmosphere is breathable and there is some forms of edible vegetation, and you have a true miracle in science fiction. Here, the story becomes a pure boys’ yarn.

Infuriated by the Mese’s attempts to waylay them upon landing, they exile the pair to Mars, sending them in one direction, while Bennell and the Colby’s explore the opposite direction. While exploring, they find vegetation that is edible and take wholeheartedly to eating up the sweet foods, and inadvertently up pops a Martian from under one of the large leafy plants. It is kindly-looking and very unintelligent, with wings, and it flies away. They are soon surrounded by a swarm of these shiny winged beings (described as a “cherub-like youth) and an airship arrives. (The deck of this monster airship, though it was like no earth-conceived dirigible in its proportions or mode of flight . . . in the centre of the ship was a clear space, raised like a dais, upon which stood the leader of all).

They soon delve into a language readily understood by one another (how convenient!) and the leader, Magna Protog, notes that they knew of their arrival. It is soon discovered that the Protogs have what equates on Earth as a “seer” among their people.

The tale then delves into the politics of the planet and thus the Colby’s learn that the evil Mese pair had walked in the direction of the villainous Martian, cannibalistic encampment. Fearing the worst, they visit the seer and discover that the Meses have worked their way into the inner confidence of the Molu, and are planning murder against the Protog base and to slaughter the Yahbi (these were the densely unintelligent cherub critters first met on Mars and a favorite delicacy for the Molu to feast upon, since they have zero combat skills).

The next couple dozen pages details combats and massive frays and butchery. The Molu murder hundreds of Yahbi in spikes and fly away with their impaled food. Worse, a Martian storm later destroys much of the Protog base and buries their airship which boasts their powerful lightning weapon, which in description, appears to harness the power of lightning in the form of an incinerating laser beam.

In the final battle, the Yahbi realize that they are soon to be eradicated and suddenly, from deep within their inner being, a cry of war and survival bubbles to the surface. They fight back! What’s more, the Colby’s discover that the violent Molu bullies are easy to fight. They lack fighter skills. They are used to flying in and impaling with no resistance, to the point that they really have no idea how to combat.

To their dismay, they learn that the Meses have taught the art of steel blades to the Molu. The fight become bloody quickly, but sheer Yahbi numbers turn the fight in their favor, before they discovery that Mese has directed a full assault on the base from another direction. The first assault was a blind!

The fighting Yahbi battalion is formed into a British combat “square” formation and rebuff the secondary attack, engulfing the Molu from all sides. The fleeing Molu pour into the Magna Protog fortress (which was originally created by the Molu) and seek respite there. The building is ringed by the last of the fighting Yahbi. None dare enter.

Then, like a futuristic Fanthorpian novel, the Protog airship is uncovered, functional, and the weapon aboard ready for action. Those necessary for flight board, with Norton and Will Colby and the mechanic, Bennell, to fly up above the storm-ruined fortress, and offer the Mese pair a final ultimatum. Mese senior accepts, while his son reposes at his feet in a dead faint. He begs them to lower the airship, so that they may safely depart the crumbling structure.

In a continued action of deceit, Mese makes his last play at revenge, attempting yet again to murder Norton Colby! Two shots ring out from Gama Mese’s revolver, in a treacherous play to bring down Colby and the Magna Protog. Apparently, Mese is the worst shot both on Earth and Mars, and in retaliation, Magna Protog unleashes the blinding power of the ship, a secondary secret weapon.

The air round about burnt and scorched with the same living blue flame
which had lit up the interior of the helioplane during the progress of the
great electrical cyclone. But this time the flame did not dart about in
different directions. Instead, it flew forward like a bullet out of a cannon.
Forward it flew, and downward, carrying with it the seared bodies of every
Molu who had taken wing from the golden dome.

Then the blast ripped into the domed structure and . . . there was no more. The structure was as of dust, obliterated, and all inside and flying about, gone forever. The Meses were no more. There was no trace of their remains. Nor would there be.

The trio board their airship and the Magna Protog bid them farewell, and perhaps, one day, they might again come to visit their planet, Mars.

2015 September 29 “The Helioplane” by Stanley Gray

The Pulp and Paperback Fiction Reader

Morgan A. Wallace is a collector of vintage pulp fiction, with an emphasis on the short-lived publishers that flourished during World War Two, such as Everybody’s Books, Mitre Press, Gerald G. Swan, etc.

In 2005, as a fan of Victor Rousseau, he created The Spectre Library, reprinting the author’s lost and forgotten works.

He now works part-time as partner to a renowned literary agency, with the intention of getting vintage fiction writers (or the heirs thereof) back into print.

The Pulp and Paperback Fiction Reader