Dimension of Horror by Sydney J. Bounds

HAMILTON Dimension Of Horror

Dimension of Horror was published in 1953 by Hamilton & Co., being No. 70 in the Panther Books series. The story begins on Page 5 and ends on Page 160. The cover sports an enticing illustration by Richards, featuring a female with green hair. The blurb atop the cover reads:

“ALIEN thought-waves strike FEAR into the heart of Man”

Perhaps so, but Bounds adroitly dodges that assertion by gifting readers initially with what feels like a casual space-adventure novel. Novelist Alexander Black is an undercover secret agent sent from Earth to investigate tensions on Venus. At all costs, war is wished to be avoided. Venus in the end would lose, as the colonists all live under a dome, but for some bizarre reason, Venusians bear evidence of hatred towards the people of Earth.

The story opens with Black in a Venus bar watching a woman with bright green hair. Soon they get to talking together over a drink and he discerns that Sadie Lubinski is a Venus secret agent. She knows too much about who he is…

Worse yet, a brute in the bar is hollering anti-Earth banter and calls Black out in front of the crowd. Black adroitly dodges the confrontation by informing the brute that everything he has said about Earth is 100% accurate. This befuddles the brute. But enough on that…Sadie and Black depart and board a Venus taxi.

Black sees a strange grey-suited pale-featured person watching them from another vehicle. Having the girl wait, he circles the vicinity, to confront the individual, and…discovers the vehicle empty! Where did he go? He couldn’t possibly have disappeared into thin air. Could he?

Black returns to Sadie’s taxi, disturbed, and while riding, they banter; eventually she is deposited at her abode, and she requests he call on her tomorrow. Leaving her, he departs and the Venus driver drops him off in an unsavory part of town, refusing to drive any further for fear of being injured by a growing mob surrounding the vehicle.

Black exits but soon finds himself the deadly focus of an insane mob, bent on murdering him. Running for his life, Black outdistances the unruly maniacs and leaping acrobatically up upon a beam, secretes his body into the shadows while the frenzied, bloody-thirsty mob mindlessly hurries by in pursuit of a person that no longer exists before them.

The next day, Black calls on Sadie, but she is not taking calls. Perhaps she is out. Perhaps she set him up to die and thinks “mission accomplished.” Black is irked by the self-admission that he is very much interested in Sadie, on a romantic level.

Either way, Black isn’t waiting. He decides to explore further afield. Outside the domed zone, he discovers that Venus has prehistoric creatures that are very much alive. Some attack his transport, but his driver has access to powerful weapons that slay every creature… Arriving at a mining facility, he is blocked from accessing the grounds, despite possessing the equivalent of a press pass granting him full access.

Returning to the city, he is brought before a Venusian official and informed that for his own safety he needs to return to Earth. Certainly he can’t accept the forced offer, and declines, taking his own chances. It’s not long after that he is picked up and meets with a Venus agent named Lingstrom who is not what he seems. Black finds the man to be some form of telepath. Lingstrom invades his mind, bent to obtaining Black’s mission, etc. Black attempts to steer his thoughts in other directions. All attempts fail…until Black focuses his attention on the sexy Sadie Lubinski and the love he feels for her. Lingstrom is immediately repulsed by what he sees.

But his mental accomplishment is short-lived as Lingstrom beats him down. Realizing he is mentally doomed, Black removes a secreted special pill from the hollow of one of his teeth. It enables enhanced strength and abilities…for a very short while. Agent Black snaps the cords binding him, punches one captor, takes out another and leaps out a window. The stimulant wears off and…Black takes off, running as quickly as possible. The hunt is on, and the villains are in hot pursuit, when inexplicably, the little grey-suited man pulls alongside and offers Black a lift!

Not one to look a gift horse in the mouth, Black accepts the ride and the pair speed away, escaping pursuit, enter a hideaway, and descend underground. Herewith we are introduced to Yzz-Five, who turns out to be an alien from another dimension, assuming a nondescript humanoid form. Truth being, his form is so hideous that for humanity to actually see him in his true form would cause instantaneous insanity! Yzz-Five possesses the power of telepathy and the body Black sees is actually fictionally impressed upon his senses, as with anyone else that sees him.

The alien telepathically teleports Sadie to the hideout, and Yzz-Five explains that he (or ‘it’ since it does not represent either ‘sex’) has watched Agent Black and Sadie Lubinski closely. Because of their affinity for each other, and, being from soon-to-be-warring planets, he has chosen them to enlist against the true war: the invasion of their worlds by his Emperor. In his dimension, the Emperor creates chaos on other worlds and dimensions, conquering and bending their will to his. The war between Venus and Earth is actually a mentally-impressed action by the Emperor’s underlings, other beings from Yzz-Five’s world.

Not quite convinced, Black and Lubinski are jointly sent hurling through the dimensional realm to land on Yzz-Five’s world, to be enlightened by other rebels. Unfortunately, the Emperor captures and rapes their minds; thankfully, the rebels rescue the pair and because of their mental exposure to the Emperor, their really isn’t much convincing required. Enlightened of the situation, they are sent back to Yzz-Five to plan a rebellion on Venus against the Emperor’s forces.

All plans go sideways when the Emperor preemptively instructs his forces to release an atomic bomb at the ore mining facility. The destruction is massive, the dome is cracked in places, life is in mass peril. Using their telepathic abilities, they take to the air and inform the Venusians that Earth has launched an assault on Venus and that Earthman Alexander Black, a secret agent under the guise of an author, and Venusian Sadie Lubinski, a traitor, are to be caught and killed.

The finale comes with the realization that the only way to stop the insanity is to fight insanity with more insanity. Yzz-Five and his few local fellow telepaths mentally assault a false general and bombard him until his false image fails. The Venusian’s, unable to comprehend or take in what they are seeing, rip and rend the exposed alien to pieces. The war on Venus is ended before it could begin, but Earth must be stopped from dropping their bombs!

Black is transferred to the radio station and he contacts the Earth fleet, aborts the attack, and the fleet lands to assist the colonists, what small percentage that remains alive and sane.

The villainous aliens remove themselves back to the home planet, now that they have been exposed, and the Emperor’s plot is foiled. Yzz-Five informs Black that he must leave, for the rebels will continue their fight for other worlds in other dimensions.

Black and Lubinski marry on Mercury, but she can’t remain away from her fellow people. Informing Black of this, he realizes he can’t stop her, so the pair jointly return to Venus, to assist and rebuild…

An unusually fun science fiction romp. Personally, I’m not an avid science fiction reader, and have never been properly exposed to one of Bounds longer works. I strongly recommend fans of vintage science fiction to seek out and read Dimension of Horror

I suspected that such a book might have been reprinted, so I checked with Bounds’ agent, Phil Harbottle. He told me:

Dimension of Horror was first reprinted as a Wildside POD paperback some 20 years ago. The text was a facsimile of the Panther edition, but they used a new cover (awful minimalist design) and stupidly misspelt the author’s name as ‘Sidney J. Bounds’. Its licence expired after seven years and it was withdrawn and went out of print (leaving me stuck with a pile of copies I’d bought and had signed by the author). It has been reprinted twice since, retitled and revised by me as The Vanishing Man. First as a Linford Mystery Large Print paperback (2010) and by Endeavour (now Lume Books) in their Venture Science Fiction series (2017) in both paperback and eBook.

 

“It is important to note that as an agent I faced a difficult challenge in selling all my clients’ (Bounds, Fearn, Glasby, Tubb and others) 1950s SF novels to Linford’s editors as MYSTERIES, where they had to be adjudged acceptable to MODERN READERS who would have no experience in reading SF at all. The novels HAD to be tweaked to remove ANYTHING that was flatly impossible or plain wrong, in the light of modern-day knowledge. They had to be set either clearly in the future, or taking place today or in the NEAR future.  There could be no alien flora or fauna existing in the solar system. No Martians or Venusians, no breathable air on Mars or Venus, and so on.

“By hard work and careful editing, I managed to sell SCORES of 1950s SF books to Linford as mysteries.  Some, because of the authors’ skill and foresight, were virtually unchanged; others varied from very little (e.g. Tubb’s The Stellar Legion) to extensive (Fearn’s Man of Two Worlds) rewrites. I used a range of devices, such as alien protagonists coming from another solar system, or from another dimension.  To sell The Vanishing Man, I moved the action from Venus to Mars, where the events takes place under a pressurised dome, and the Martians are colonists descended from Earth. The alien menace from another dimension was able to remain unchanged.  I contrived to keep nearly all of  Bounds’ wording and actions: Black still left the city is his transporter, but instead of being attacked by dinosaurs in a jungle he was attacked in a desert by a Martian DUST STORM. The action narrative flow and events were unchanged.

Endeavour’s attractive POD paperback edition is still in print, and an absolute bargain at just £4.99. The earlier Thorpe edition used to be even cheaper when Amazon were offering ex-library copies from a pound or so, plus £2.50 postage, but be warned! These cheapo Thorpe editions (contractually out of print and withdrawn from sale after five years) are rapidly disappearing and being replaced by prices of £20 and up, or simply vanishing altogether. I haven’t checked the status on The Vanishing Man or other books for some time. Your blog readers may need to check Abe and eBay as well as Amazon to find these editions. And with the Linford Mystery series closing down after April this year, the few non-library copies are set to become high-priced collectors’ items—especially the many posthumous titles that are actually world first editions, such as Tubb’s To Dream Again (2011).”

For those interested in acquiring the first revised edition of The Vanishing Man, copies of the Thorpe edition can be found on eBay accompanied by the following blurb:

Popular novelist and secret agent Alec Black is on an undercover mission on Mars.
The Martian colonists are preparing for a major offensive against earth and someone is stirring up war-fever. Black must try to prevent it, or the whole system will be engulfed in atomic war. When Black finds himself shadowed by a man who, when confronted, vanishes into thin air, his investigation turns into his strangest case and very soon he’s plunged into a dimension of horror…

Prefer an original, vintage copy from 1953? Two copies currently are available on ABEbooks.com but…the cheaper of the pair is an exlibris hardcover (US $15) and the more expensive copy is the paperback edition (US $30). Both are Good condition and both are likewise only available in Australia! Otherwise, no other editions are currently available for sale online.

Dimension of Horror by Sydney J. Bounds

Deadshot Riders! by Rex Hays

THOMAS P KELLEY Deadshot Riders

Deadshot Riders! by Rex Hays was published by World Distributors Incorporated, as part of their All Star Western series, likely around 1950. The artwork is unsigned. The novel runs from page 3 to 111, with 112 noting the name and address of the printer. The interior front and rear covers are blank, wasted space. The rear cover features an advertisement for another western in the series.

Rex Hays is the alias of Canadian ex-boxer Thomas P. Kelley, best remembered in the pulp fiction community for his contributions to the American magazine Weird Tales. He also authored fantasy novels such as:

The Face That Launched a Thousand Ships
(Adam Publishing Company, 1941)
I Found Cleopatra
(Export, 1946)
Tapestry Triangle
(Peveril, 1946)

Richard Stanley, aka “Dick”, returns home aboard his horse, Six-Bits, after having been away for a length of time. He finds his sister’s homestead a smoking ruin and the occupants (her husband and cowhands) very much dead. The only thing keeping him together mentally is his romantic-love on a neighboring farmstead, young Polly Marshall.

The mystery of who murdered them remains unsolved and about a year passes, when Dick proposes his marital interests for Polly to her father, only to be rebuffed. A heated argument ensues and ugly words are exchanged. Dick rides away infuriated, while the father rides into town for business reasons. Unaccountably delayed, Polly fears for her father’s rather late return while her mother figures the husband is delayed due to his assignment in town.

Polly inexplicably suffers through a “vision” featuring her father stumbling, bloody and dying, a piece of paper in his hand, then falling dead. Not long after, news arrives that her father is found dead, stabbed to death. Who is the murderer?

The sheriff and posse arrest Dick on suspicion upon learning of the argument, and, Polly’s mother rides up, wielding Dick’s bloodied knife! He claims it was lost, prior. To top it off, he refuses to confess to his actual whereabouts the night Polly’s father was murdered. So, into the jail cell he goes…for nearly a good chunk of the novel. The novel shifts focus to Polly, instead.

Polly arouses the interest of the Judge and he goes too far into investigating the murder, and, the mysterious “vision” Polly had regarding some form of paper. Knowing that her father had extended loans to various parties, he is surprised to discover the sheriff owed Polly’s dad a couple thousand dollars. Could the sheriff be guilty? The sheriff doesn’t take kindly to the investigation and locks him up, too.

A lot transpires. Dick is broke out of jail by a masked bandit, whose ears give him away to the jailers (they pick him up later) and Dick recognizes his identity immediately, as being a close friend. Dick gets into a scrape with a posse, meets up with Polly, who arrives after hearing gunshots; they break away into the badlands, loads of insane padding ensues, and Dick eventually returns to town with an injured Polly. Dick is arrested while at the doctor’s and thrown back in jail to await his trial.

He is found guilty…then an unknown man rushes in with unusual features. It’s revealed that this man is a wanted man that Dick, while Polly’s dad was dying, rescued, and nursed back to health. Not knowing he was a wanted man, Dick had helped and returned him to health, etc. Feeling a debt to Dick, he brazenly exposes his life to the court-room, going so far as to walk in sans any handguns! He calls the deputy out to confess where the knife came from, as they apparently know one another, and the cowardly deputy confesses the sheriff committed the murder. A shootout occurs, and, well, you can guess the rest…

Polly and Dick prepare to marry, Polly’s bitter Dick-hating mother must admit she was wrong about thinking Dick was the killer, and the Judge proposes to marry Polly’s widowed mother! Dick has a proposal of his own: how about a double-wedding!

Deadshot Riders! is not a brilliant piece of work, but, Kelley hammered out (at least) four westerns quickly for the UK market, circa 1947-48. It’s unclear WHY the title was chosen as it has nothing to do with the novel. Perhaps it was merely catchy. Whatever the case, the western was not horrible enough to warrant my writing off of Mr. Kelley. I intend to tackle further Kelley western novels in the future.

If you are interested in Thomas P. Kelley, then perhaps you should visit his agent’s official website. Kelley is actively represented by Darling Terrace Publishing. His agent has authorized 3 weird and fantastic works via the Pulp Fiction Bookstore and an additional 3 works via Amazon include:

I Stole $16,000,000
The Black Donellys
Vengeance of the Black Donnellys

 

Deadshot Riders! by Rex Hays