Desert Intrigue by Earl Ellison (Hamilton & Co., 1949)

Desert IntriguePublished 1949 by Hamilton & Co., Desert Intrigue sports a charmingly romantic cover illustration by noted English artist Reginald Heade. The novel is penned by the pseudonymous Earl Ellison; that alias was, up until his untimely death, 100% written by N. Wesley Firth. Originally simply born as Norman Firth, he adopted the “Wesley” after his own father passed away. Firth was incredibly prolific and required the need to adopt numerous nom de plumes in order to have his fiction simultaneously published.

The publisher failed to paginate the novel. Assuming the frontis is Page 1, the story spans pages 3 through 94.

The next page begins a short story by Margaret Graham entitled One-Man Woman; this ends on Page 126. No clue who she is, though there was a fiction writer by that name operating at least between the 1890s-1910 era. This isn’t that woman. Pages 127-128 are ads.

Returning to Desert Intrigue, the blurb sets out the following:

Ever since Graham had been killed while flying in the R.A.F., Kathryn Morny had suffered an agony that nothing seemed to ease. But, sensibly, she realised that brooding would not help her face the empty years ahead, and when she learned that her new job was to take her journeying across the sun-drenched dunes of the Sahara, she felt that here was the opportunity she needed to escape from the bitterness that filled her heart. She felt drawn irresistibly towards the relentless desert, for her lover had been killed while flying over its far-flung wastes. Visiting the places, gazing at the scenes she knew he himself must have witnessed, somehow brought him very close to her…

Being an ardent fan and collector of Norman Firth, I originally thought, prior to viewing the blurb, that this book might just be another of his romance novels. A deeper hope held that due to the background image and suggestive novel title, it could be a French foreign legion novel! Dismayed by the latter, I was thrilled to discover the romantic novella actually contains mystery and action, and a bona fide plot.

Kathryn replies to a want-ad for a secretarial position to author and script-writer Steven Pendleton, who has been hired by the French government to write about the African desert, etc. Tagging along is his lovely wife, Fay. Naturally, one imagines that the distraught Kathryn will cause a catfight, attempt to become romantically involved with the author, but none of this is the case. They all get along perfectly.

Also involved with the adventure is a film crew consisting of an overweight French director, a camera and field man, and a cocky young Englishman (Ralph Cardingham) bent on conquering Kathryn. She is put off by his attitude, mannerisms, and speech.

While trekking across the desert wastes, Ralph sabotages the second truck (in which Kathryn, author, and wife travel) and his own group sets out early morning and creates a vast lead. They later are stuck in the shifting sands, and discover that truck #2 is nowhere in sight. Leaving his two pards behind to dig out the wheels, Ralph faux-heroically sets off on foot to rescue the missing truck, knowing full well it likely broke down at some point. However, Ralph runs afoul of a roving gang of bandits. They take him hostage and toss him in their fort. Shame they didn’t just behead him!

Meanwhile, back at truck #2, they have indeed broke down and realize that they must forge ahead on foot. Making their way across the desert, they spy the old abandoned WW2 remains of a known fort and make their way towards it, knowing that a well of water exists there. Entering, they are despondent to discover the place is inhabited…by many camels. Where are the owners?

Deciding to abandon the need for water, they make to quietly exit but find themselves rapidly surrounded by the murderous sheik-bandit and his gang of outlaws. They are tossed in the “jail” only to find the Englishman, Ralph, nonchalantly awaiting them. He bluffs his casual capture and the falsified facts of how he came to be there. The trio (Kathryn, Steven & Fay) believe maybe he isnt the scoundrel his reputation carries, after all. While yakking, the sheik enters and withdraws Kathryn to dine with; he is enamored by her beauty and intends to take her with him to his distant mountain stronghold.

In fact, they must leave soon, for a rival bandit-gang led by El Tigro is approaching. Little is known about the identity of El Tigro save that he is reportedly an Englishman who has adopted the ways of the Sahara and plunders and murders all in his path, but the more Kathryn learns about the violent El Tigro, the more she fancies he sounds like her lost love, Graham, who was shot down over the desert during the war years, crashed, and burned. His body was found nearby, charred.

Finding the fort soon under assault by El Tigro, who has zeroed on the sheik’s position, the villain again snatches Kathryn and sends her with his second-in-command to ride quickly to a remote mountain stronghold many miles distant. Remaining behind with his men, a blazing battle ensues. Realizing he is losing men and ground, the sheik abandons his ill-fated men to their demise and flees after his second and Kathryn…

El Tigro seizes control of the fort, learns people are locked inside, and brazenly busts in the door…to find himself face-to-face with an Englishman, a woman, and is stupefied to discover one of his WW2 flying mates (Steven Pendleton) in the cell. They recognize each other and it is revealed that El Tigro is indeed Kathryn’s dead lover, Graham! While much handshaking ensues, the cocky Englishman (Ralph) realizes he must rescue Kathryn first before El Tigro does, or he will have lost his sexual conquest. He leaps outside and steals El Tigro’s horse, and takes off in pursuit of the sheik and company.

El Tigro is infuriated by this act. That was his horse, and, the only horse remaining in the company. He must pursue via camel.

Fast-forward, the sheik’s second and Kathryn stopped for the night. The sheik eventually catches up and is enraged that the second didn’t continue onward through the night. He knifes the second to death. Not far on his heels, Ralph has gained ground via horseback and jumps the sheik! A dazzling fight ensues but ends with the sheik thrusting his knife into the young man. Leaving him for dead, the sheik grabs Kathryn, and departs for the stronghold…

Not much later, El Tigro arrives on the scene, discovers the young man mortally wounded, delirious, but still alive. Leaving Ralph behind, El Tigro continues his pursuit and eventually catches up with the sheik-bandit. The usual fight ensues, he wins, captures the bandit, and discloses his secret identity to Kathryn, however, no romance ensues. Graham believes that she married long ago and/or the young Englishman (Ralph) to be her lover. Plus, contracted to work for the French government under the guise of El Tigro, he is hardly free to pursue her. Keeping emotionally distant from her, they return to the wounded Ralph to find him tended by not only Steven and Fay, but, a French army company! How did they come to be there?

Well, El Tigro had sent communications back in advance of his raid on the fort, noting the sheik-bandit’s locale and requesting reinforcements. The bound bandit is turned over to French authorities and El Tigro is honorably discharged. Ralph informs all of his awful dreadful deeds but is forgiven by both Kathryn and the former El Tigro. Officially relinquished from active-duty, Graham is now free to pursue his former life…and Kathryn.

And the French film director? From all the aforementioned action, he now has a new motion picture idea, one that will not feature Ralph in the lead, but the late El Tigro, possibly, instead, who has suddenly found himself out-of-work, and he has the perfect romantic lead…

THE END … and then we tackle the bonus short story by Margaret Graham…who might well be an undiscovered alias for N. Wesley Firth…or not.

In short order, Denise is married to Robin Dane; her husband will soon pick her up and go on their honeymoon. Another woman appears on the scene; she claims to be married to the same man! Shows a marriage certificate. Our heroine is distraught, flees the abode, goes out for a drink; an old friend from her days of rural youth spots her and they chat. Denise does not disclose her marriage or woes. Her friend offers a farm-job with her and her brother. Accepting the job, the offer gives Denise the opportunity to escape her woeful predicament and not face the cad. While working on the farm, a young man attempts to convince the sister to marry him. She rebukes him. Our heroine learns why: she wants to be “loved,” and while the man does love her, he just isn’t “exciting.” Denise visits young man, explains what he needs to do to win her over. He takes this in stride and pursues the sister again: wins. With the sister soon out of the scene, Denise decides she can’t remain working on the farm, alone with an eligible bachelor. While short-cutting across the farm, Denise is nearly gored by a maddened bull. The farmer rescues her and clumsily professes his love for her. Denise isn’t the least bit interested. She still misses her own husband, Robin, but weeks have gone by…and remarkably, there he is! How did Robin find her? Well, she had written a letter to her landlady, no return address, but, postmarked the region she is in, which turns out to be a tiny area. Robin obtained the letter’s envelope, spotted the mark, traced it, and from there, asked around until he found her residence. He explains he also had a run-in with the “other wife” and that the woman was wrong. Her private detective had found the wrong man, that there are many other Robin Dane’s in England! When Robin confronted the other woman, she was equally dismayed she had wronged the young couple. All facts clarified, Denise and Robin continue their relationship, and…the farmer walks in to find them making out and he realizes he is now the odd-man-out. A sad ending for him, as he isn’t a bad fella.

Desert Intrigue by Earl Ellison (Hamilton & Co., 1949)

Mystery Magazine (UK: William C. Merrett, 1946)

Heritage Auctions on May 20th will go live with a remarkable collection of rare pulps. I decided to finally release this blog I prepared years ago to coincide with the fact that HA also has a copy listed. Their copy sports worn, rubbed covers, creasing to spine, etc., but might be better than my copy, given that mine has a strange blue mark on the cover. I’m not complaining. It’s a rare item, and condition hardly matters. Or, does it?

A copy is indexed on the FictionMags Index site, but whoever sent FMI their data is all kinds of WRONG! Click on the link above and follow my logic.

Foremost, the information states that only ONE STORY is inside this magazine. That’s 100% wrong. Now, you might say that perhaps the other stories were ripped out of the magazine and the original supplier of that data never noticed. Hooey! The start of the second story begins on the back of the concluding first story. Ergo, if they truly thought only one story was present, they should have noticed that the sole indexed tale was also missing the concluding page of text!

Second mistake? It’s recorded as a pulp. That’s not really accurate. True, the stories originated in the American pulp Dime Mystery Magazine, but this isn’t pulp-format. Would you say pulp stories reprinted as a paperback anthology is a pulp? No.

Third mistake? Aside from stating that the Jacobson story isn’t present, that person also failed to mention the THIRD story on the cover. Yeah, that one, at the bottom of the cover in the red banner strip.

So, let’s clear up a lot of misconceptions and get this one right.

MERRETT Mystery Magazine
Mystery Magazine (ca. 1946) Published by William C. Merrett

Mystery Magazine (circa 1946) was published by William C. Merrett (a WCM Publication bubbled-in lower right cover) and priced at 2/-. It measures 5.5 x 8.5 inches, and is a stapled digest-sized magazine. The cover art originates from the 1938 July issue of Dime Mystery Magazine (as do the first two stories) and, lucky YOU, if you enjoy my post, you can READ those first two stories online by clicking HERE but alas, not the third tale; that appeared in the 1939 July edition (a year later from the prior two).

From cover to rear, the magazine represents 36 pages, although the first un-numbered page, Page 1, begins behind the front cover. The rear cover is numbered 35 and contains the conclusion to the final tale. There isn’t a Table of Contents page.

(1-12)   “Goddess of the Half-World Brood” by Henry Treat Sperry
Dime Mystery Magazine, 1938 July

(13-26)  “The Werewolf of Wall Street” by Edith and Ejler Jacobson
Dime Mystery Magazine, 1938 July

(27-35)  “Horror’s Holiday Special” by Wayne Robbins
Dime Mystery Magazine, 1939 July (as by W. Wayne Robbins per FMI site)

GODDESS OF THE HALF-WORLD BROOD
by Henry Treat Sperry

A delightful tale that immediately delivers on the weird vibe. Husband and wife of undisclosed ages are shipwrecked on an island that ought not to exist. Jim and Marion stumble ashore after their private vessel slams onto a coral reef and sinks, thanks to a hurricane. Drenched and exhausted, Marion is oblivious to the dozens of glowing eyes in the dark reaches of the island-jungle, but Jim takes it all in quite gravely. The pair discover a pathway, clearly constructed by humans, and discover a cottage. Knocking on the door while watching those ever-present eyes, Jim hurls his lone weapon (a piece of wood from their wrecked ship) at the shadowy beasts and finds the cottage isn’t locked. Opening the latch, they slip in and find the recently slain remnants of a “Negrito” (hey, the author’s word, not mine) torn all to hell and partially eaten. Marion screams and Jim pushes her into a chair facing away from the grisly mess. Covering it up, he looks up stunned into the barrel of a “large-calibre pistol” held by a “deeply tanned young man of about my own age.” We soon learn that he also shipwrecked upon the island 8 years earlier with an original crew of 12 men, his sister, and the “Negrito” later acquired at a port. We later learn the sister was 16 at the time of their voyage, so now we have an approximate age of all currently alive. The tanned youth’s name is Richard Wanderleigh; his first name is never repeated. The sister soon arrives and is dressed skimpily; the sister calls him “Dick” when she discovers the carcass in the home, instead of outside, where she has purposefully left it. She’s angered at him for dragging the corpse inside, but reason isn’t disclosed, as she makes like a clam upon seeing they have visitors. The tale unwoven is that one by one each of the dozen men mysteriously dies and in their place a strange beast, or, as she calls them, a “shroud” appears. Jim begins to form a theory, as these jackal-like beings seem to sport human-like traits. Is there some strange, mystical powers acting upon these beings? We don’t know, but we do know that the Wanderleigh excursion involved tracking a specific “thing” and that they found it before their untimely accident. Is this unnamed thing responsible for the men’s deaths and subsequent birthing of the shrouds? Another day passes, Jim is exploring the otherwise tiny island, when he locates the sister (Sicily) sunning herself while surrounded by all of the shrouds (one has its head resting on her bare thigh). They rise, sensing his approach, and make to rend him to pieces but abort the attack at her command. Is she partially in control of these beasts? She details that her brother is not to be trusted, and that he has made wild claims that she is a Siren and responsible for all the men’s deaths, that they all coveted her, etc. Meanwhile, the island appears to be disturbed, and it is clear that it is prone to blow itself to smithereens. All hell breaks loose. Jim splits and returns to the cottage in search of his wife, only to find her missing and her clothes ripped to shreds on the floor. Realizing Wanderleigh has her, he goes nuts, not knowing even where to begin his search. Bewilderingly, while running about, one of the shrouds convinces him to follow it in the opposite direction he had chosen to search. It eventually leads him to Sicily who explains she has never known love, practically throws herself upon Jim, but constrains herself and informs him that his wife, Marion, is captive aboard a sea-faring vessel that Wanderleigh built in secret, but Sicily accidentally discovered, while exploring (with her shrouds, no doubt). Jim runs down to the water alcove, finds the vessel, the island is still blowing itself apart and spewing gasses and lava everywhere, the world is shaking in every direction, but he manages. Locating it, he does battle with Wanderleigh, who shoots him once in the fleshy part of the shoulder (cliché, missing the bones) and splits his skull a glancing blow, before Jim grabs the man’s head-hair, and lands a solid knock-out blow. Boarding the vessel, he unties the naked Marion, and discovers the boat is not only ship-worthy, but, submarine-worthy, being entirely turtle-decked and streamlined. After all, when the island blows, in all likelihood the vessel didn’t stand a chance of escaping; it would be dragged down and down and down until the suction released them, if at all. Before battening himself in with Marion, he entreats Sicily to leave the island with them, but she says no. He finally attempts to carry her, only to find the shrouds nipping his heels and must give up. They all depart and Jim watches in pained anguish as Sicily and her brood decide to stay and die. Back aboard, Jim tethers Marion inside (for safety) and while pushing away, watches far in the distance as Sicily and the brood of shrouds rise up against the volcano rim and one by one jump in. With each “death” a lava geyser belches skyward to envelop each being. Jim goes under, seals the hatch, tethers himself in, and prepares for the volcanic ride of a lifetime. Yes, they survive, and an hour later he pops the hatch as they are on the surface once more. The island is gone, but in those final moments, he was certain that he did not see 12 beasts leap into the fiery liquid flames…”it was twelve men…”

THE WEREWOLF OF WALL STREET
by Edith and Ejler Jacobson

Chet Wallace, a Wall Street multi-millionaire, taps his son, a doughnut truck-driver, for an investigative job. Originally, Chet had no intention of simply giving his son the luxury life. He wanted him to earn his living and place in the world by his own means. However, there are strange events transpiring on Wall Street. And he needs an outsider. Enter one Ronald (Ronnie) Wallace. We learn that he wants Ronnie to look into Harry Gaines, one of his partners, to explain his wild buying and selling sprees. Harry inexplicably walks in and begins drawing cold water from the water-cooler in Chet’s office. One gulp, two gulp, three…and keeps going, insatiably. It is hot outside, and inside, but not in Chet’s room, since he’s the top dog, but it shouldn’t be that hot. Harry and Ronnie say hello to each other (they do know one another) and shake and Ronnie discovers the man’s hand is ice-cold and frail-feeling to the touch. He informs father that the man is clearly sick. Chet says “sick or crazy…or both.” Later in the day, Ronnie phones his girlfriend, Terry, to explain he must call off their date, but before he can, she informs him she is standing him up tonight. From her voice he can tell she doesn’t actually want to, and learns she is going over to the Haines’ home to be with Marcia, Harry’s wife. Something is clearly wrong, and Ronnie informs her that if they are to be a couple, they do things together. She accepts, they go over, hear a painful scream, Ronnie batters down the door, leaving Terry in the hallway while he investigates, and discovers the ravaged remains of Marcia, a bloody mess, and barely alive. And outside on the fire escape landing, leering in from the window, a twisted ugly white face that looks like Harry-gone-mad, with purplish eyes and red teeth. He returns to tend to Marcia, only to find her face and throat is mostly gone. Her blood is pouring out of her and while he staunches the flow, he can’t stop the fact that she is dying. Terry is missing (did she see Marcia and run?) and Ronnie is covered in blood, making him out to be the murderer. Fleeing the scene, he makes his way home (after calling for a doctor and police) and runs into Sandra Howard, a woman his father saved from a motor accident and gave a blood transfusion to. Now she apparently lives with them? There’s a lot of odd holes in this story. Anyway…Ronnie gets cleaned up and fresh clothes on. Harry Gaines appears at their home, and asks Sandra to come with him. They argue the point, but she acquiesces, much to Ronnie’s surprise. What hold does Harry have over Sandra? And how could the cold-blooded murderer so calmly dare walk into the Wallace household without batting an eye at Ronnie? Ronnie jumps into his roadster to pursue Harry and Sandra through New York, but loses them. He eventually determines that they were headed for Wall Street. But, at night? That district is closed at night, empty of virtually all night life. He parks, and comes across what appears to be a hooker. She asks if he is interested; he blows her off, and then wonders what she is doing hooking in an area devoid of life. Doesn’t add up; she should be in a higher populated zone. Following her, Ronnie watches her enter his father’s Wall Street building; he runs up and tries the door and WHOOSH! something flies by and splats on the pavement beside him. It was a female. She was either thrown out the window or jumped. Either way, she’s a pancake now. The doors open and a couple of things like Harry Gaines come out and scoops up the carcass and drag it inside. He hears what he believes is Terry’s voice scream for help, but a cop appears. Ronnie explains that people are inside murdering other people (yeah, that sounds sane). Arrested, he’s taken to the station, and released on bail after his father comes and pays. A day has gone by and he’s freaking out. Terry might be dead. And he hasn’t a clue how to proceed. His father has him work at the office that day, to keep an eye on Harry Gaines and all the others that are acting strangely. He receives news from Chet that Terry is okay. Apparently she is with Sandra, who is tending her in an hysterical state. Sandra used to be a nurse, and is caring for her, and states Terry doesn’t want to see Ronnie. Supposedly, Terry thinks she saw Ronnie murder Haines’ wife, Marcia. So Sandra is caring for her, and has her own daughter, Maxie, assisting. Terry is mentally beside himself. He, kill Marcia? Perhaps she saw all the blood on him, then? Midway through the work day, Ronnie, while thinking up a plan, sitting in his father’s office, is surprised by Harry Gaines walking in. He looks like death and accuses Harry of keeping Terry on ice. Threatening to call the police on Harry, the latter states that he lives with his wife and could easily claim he fled when he saw Ronnie murder her. Laughing, he departs and goes back to work. Ronnie soon discovers that Harry is actually buying while the world is selling. Everything he is buying dirt cheap is seemingly worthless…or, is it? Many of those investments would likely rebound in the future. Ronnie quickly sells everything Harry is buying before the hammer of the day concludes. Mortified and whiter than a sheet, Harry staggers in and proclaims he himself is likely a dead man now due to Ronnie’s efforts. Harry states he’ll die of a thirst water can’t slake, and makes for Ronnie. He protects himself and knocks Harry down, and gashes him, but barely a drop of blood comes out. In fact, he hardly has any blood to bleed! Harry eventually expires there on the office floor, leaving Ronnie with only one clue: to be in the Wall Street district again at night. But, where? Which building? Wait! the hooker! Will she be out there again? She is! He approaches her that evening, and she escorts him to a locked investment firm, and miracles, extracts a key! Leading him inside, they drink and he passes out. Waking up, he finds himself tethered to a chair and facing Sandra!!! She’s the mastermind behind everything and explains that when she received her blood transfusion, she learned it wasn’t enough and Chet kept helping until his own doctor advised against it. So, she turned to others and they developed leukemia. Well, she brainwashed them into continuing to help her and signing over their fortunes, too. Her own daughter, about Ronnie’s age, assisted. In fact, under all that hooker makeup is Maxie. Ronnie is appalled and discovers that they appear to have fed off of…him! Will he eventually develop the same sickness as these leukemia-werewolves? She forces him to call Chet over to marry Sandra, so that she can legally obtain an appearance for her sudden wealth, and in exchange, Terry gets to live. After much threats and a showcase of werewolf-like men hovering over the nearly nude Terry, Ronnie acquiesces and phones dad. Chet arrives, and goes in the room where Terry is held, actually knows what is going on, to some degree, when shockingly, in Terry’s room, someone fires a shot. Chet runs in there, more shots are fired, and out comes his dad supporting Terry on one side, and…Maxie on the other side??? She explains her mother had gone too far, and she didn’t want Ronnie hurt because she secretly was in love with him, too; she pulls out a gun and blows her own head off. Ronnie collapses from blood loss, to wake up another day. Terry is there, caring for him, and explains she remembers nothing after Marcia’s body was discovered. She had been drugged the whole time. Ronnie, fearing for Terry’s life, explains he can’t marry her until he knows his own condition. Chet flies in a famous doctor, and tests him. He’s clean! or, is he? They marry, but every night, Ronnie lies there and wonders when he will grow thirsty and rip into the sleeping form at his side….

HORROR’S HOLIDAY SPECIAL
by Wayne Robbins

Generally, I detest a humorous horror story, but Robbins handles the choice wondrously. The scene is a locomotive bound for destination-unknown, but, our narrating protagonist, Steve, is ultimately bound for Colorado, to be locked up in a mental institution. Aboard the train is his fiancée (Connie), business partner (Vance, who is trying to steal Steve’s girl), and Steve’s doctor, who keeps doping Steve to keep him calm, sleeping, and unable to simply think. Certainly a dangerous combination… While dinner is being served, a porter is delivering a meal under a domed tray to a woman diagonal from their seating arrangements. Lifting the dome, Steve describes the decapitated, bloody head that rolls off the tray and thuds upon the ground, rolling about. Everyone is mortified. Steve can’t control his laughter. All assume that he, the resident nut, somehow roamed the train and sliced off the man’s head. Where is the body? That’s soon located, without hands. Where are the hands? Another corpse is discovered dangling outside a window (yes, the train is still moving) and the head inside the sill, barely attached. Opening the window to retrieve the dead man, they lose the body, which is sucked outside and lost forever, while the head remains in their hands. Steve finds the other person’s missing hands in his effects, stuffs them in his own pockets, and decides he must ditch them. Until then, he returns to his seat, exhausted. The drugs are taking their toll. A woman and an annoying whining boy are asleep, a comforter over them both and trailing upon the floor. He crawls under the comforter to sleep! While there, the everyone aboard goes nuts realizing that Steve is missing. Stampeding past his location, he soon realizes the air is suffocating under there, and, blood is pouring down on him from above. The child is dead, and his head soon falls off. He places the head on the woman’s lap and exits. Seeing the crowd far ahead investigating, he tosses them the hands and locks himself in the ladies’ lavatory. The hands land, screams emit, they break down the door, and strap him into a straight-jacket (did all 1930s trains have one???) While constrained to a berth, all go to sleep, and he finally wakes from his drug-induced slumber. Restrained, he swings his tethered legs over the side and knocks out a guard. Then he slices the legs apart on the metal bed, cutting his legs in the process. Now loose, he ambles around and finds Vance murdering other people on the train, one by one. Worse yet, he has Connie, and has temporarily dyed his hair blonde and is speaking like Steve. Connie is convinced. Clearly Vance is the killer and has been placing all these deaths at Steve’s fingers to ensure he is locked away forever, and then he can take over the business. Steve spots the BREAK-IN-CASE-OF-EMERGENCY glass, does so, and rapidly slices his way through the straight-jacket enough to wrench free one arm, then another… (seriously?) Well, we know how this ends. He takes down Vance, saves Connie (Vance had decided to kill her because she had earlier sworn undying devotion to Steve and would never leave him) and must beat a confession from Vance that he is the actual killer before the survivors decide to do something very final about Steve.

Mystery Magazine (UK: William C. Merrett, 1946)