“Love and Dr. Hawkins” by Sidney Gainsley was published in 1945 by Brown Watson Ltd, runs 64-pages, measures 4.75 x 7 inches. At first glance, this booklet appears to be a romance. The cover art (unsigned) depicts a young lady clasping her forehead and looks surprised. At the top, the cover proclaims this publication to be “A Sidney Gainsley Thriller!!”
The novella is narrated by Dr. Hawkins, relaying to Professor Norden a past, strange criminal case that he solved.
(NOTE: these characters originally debut in Gainsley’s “Did This Really Happen?” weird story collection, with the tale “The Diary“ which I’ve already been blogged about. Refer to THAT entry for biographical data on the author.)
When Anthony Tidmarsh fails to rise and take his breakfast, the staff worries, and finally, they bring in a strong-man to bash down the door, which takes multiple attempts. They find Tidmarsh very much dead. The police are phoned.
Tidmarsh is found brutally murdered, with a common household kitchen butter knife forcefully thrust into his spinal column. He is found, face forward, his face contorted, upon his desk. Under him is a partially written document to his young brother.
Police are baffled. Who murdered the man? How did they lock the door from outside? All we know is that Mr. Tidmarsh was alive beyond the setting of the house alarm….
Inspector Saltash–as narrated by Dr. Hawkins–takes on the case, and from here on, we are mostly given the story from Saltash’s viewpoint. He interviews the staff (kitchen, yard, garden, etc.) and the household members (his much younger brother and a young lady as their ward, set to inherit a fortune quite shortly). We learn that Tidmarsh was possibly in love with the young lady, however, she repelled his advances and preferred the company of his kindly young brother, who in turn was truly in love with her.
After our author establishes fine grounds for every person to have committed the crime and wondrously provides us with the usual Sherlock Holmes pastiche backdrop, Dr. Hawkins diverts the waning chapters back to his viewpoint, when he is reintroduced to the case. Hawkins, a psychologist, investigates, by asking the inspector to re-enact the position in which Anthony Tidmarsh was found at his desk. Crawling about, Hawkins finds some fine wood powdered particles, and learns that these came from nearby a wood mill.
We learn that the gardener works at that mill in his spare time. He is in love with one of the house staff, who has been holding a deep secret. She had an affair years ago with Tidmarsh and sired a boy. Wanting not to claim the boy as his own, nor wishing to marry the woman, he avoided scandal by keeping her in his employ, but, neither of them informed the child as to his social standing nor parentage. Ergo, both the child’s mother and her suitor have reason to murder Tidmarsh, for being an outright prick.
Hawkins further learns from the accounting books in the safe that someone has been embezzling tens of thousands of pounds from the young lady’s inheritance. The finger points toward the younger brother. Further evidence in the form of a rope and nail that may have been used to secure Tidmarsh’s door are found hidden in his room.
To add to the mystery, Hawkins, after inspecting all the ancient antiquities in the room, discovers a replica crossbow firmly anchored to the shelf in a position established to murder Tidmarsh from behind. So, who set the device?
Dr. Hawkins reconstructs the scene to prove that Tidmarsh was not murdered, but, rather, he committed suicide, but with the intention of sending his brother to the gallows for the supposed crime!
His facial contortions in death were not from pain, but, immense concentration from realizing that the knife would soon impale him. The note on the desk did contain factual business data, but was written with a slant to be damning evidence against his brother. He hated him because the girl had refused his loving marital attentions. And, he himself was the one embezzling the funds. By marrying the girl, he avoids scandal; she could hardly bring her husband to court without testifying against him, etc.
In conclusion, Hawkins ends by discussing Norden’s “author friend,” and noting that he appears to have written quite a romance around the “Diary” episode. Hawkins inquires if Norden intends to relay this crime tale to the author, and he indeed shall. Hawkins says he has no objection, but, asks for it to be called “Love and Doctor Hawkins.” The author, obviously, is OUR author, Sidney Gainsley, having a little tongue-in-cheek poke at himself.
While my relaying of the plot may seem blasé stuff, I assure you, this novella is well-worth the read.
Currently I am chasing “The Expiator” by this author. This title story originates within his 1943 weird collection. I do not know what other tales appear; the National Library of Wales possesses a copy of this 32-page pamphlet, noted as published by Brown Watson, circa 1945. If anyone owns a copy, and is not firmly attached to it, I would love the opportunity to own and read this item…
I have not spent any real time investigating the identity nor the history surrounding Sidney Gainsley. If any family-members ever read this article, I should love to learn more about Sidney, his exploits in publishing, etc. However, from what little investigative efforts I have made, I know that Sidney was born in 1912 and died 1982 in Sutton, Surrey, England.
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