Face Fifty Guns by Robert Moore Williams

ARCHER Face Fifty GunsAfter a bloodied, near-dead stage-coach driver arrives in town and reports an incident to the local law, Deputy Johnny Burke arrives on the scene of a horrific mess. A stage coach is reposing upon its side in a gully, and a man is lying dead on the arid dirt ridge.

Searching the dead man’s pockets, he learns the man was a marshal and finds his badge. Pocketing the badge, he rises only to be given the universal “Hands Up!” demand from a gorgeous (aren’t they all?) young lady, wielding a gun. When he fails to comply, she rips the air with a shot and he soon strips the inexperienced gun-handler of her smoking hardware.

When he learns that she is the lone survivor of the inbound wagon, he is baffled. Why hold-up an inbound coach? Only the outbound wagons were carrying funds from the nearby gold mining operations.

But when a trio of riders approach from town, and he ascertains that they are a marshal and deputies, he advises the girl to hide. Why?

On arriving he instructs the marshal to go blow, and hoists the girl’s long-barrel to enforce his talk, as the trio are out of their jurisdiction. Why are they out there, after all, five miles from the line that they control? Pretty peculiar stuff….

After departing, the girl, whom had been able to view from her tiny peep hole under the carriage one of the trio, positively identifies the big burly bear of a deputy as one of the hold-up men. Gaping, he realizes he’s got to draw a warrant, arrest the bear, and likely go toe-to-toe with a corrupt marshal whom, with his cronies, mysteriously blew into town shortly after gold was discovered.

Burke’s own co-deputy arrives on the scene, and informs him that the local bank confessed that the stage coach was actually secretly bringing in $25,000 cash to dispense to a client. He sends the gal down with him into town. But, on arrival himself, he finds his deputy missing, and so, strikes out alone to arrest the burly-bear. On entering the saloon, the bartender acknowledges the trio are in the back room.

He struts in ready to slap cuffs on and finds the girl in the room laughing it up with the men! She knows the marshal, and from all appearances, is quite intimately acquainted.

What’s going down? Who is the girl really? What’s more, where’s the bank money? Arresting burly-bear, he also slaps cuffs on the gal when he is unable to get her to confess to her charges against the deputy. Covering his departure with revolver upon the two others, he locks the deputy in a cell and tries to coax a confession from her. She clams up.

Then the deputy walks in, caked with road dust and sweat, and proclaims that while bringing in the lady, the marshal and two deputies, whom had been given the “go blow,” they showed up and took his horse and she road it into town, leaving him to rot. Further, while in town, he learns that she is really a dance-hall owner and married to Marshal Kerrigan!!!

The heat is turned up when the deputy is knifed, the pair escape their cells, and Burke has to face the trio and girl, along with a mob of 50 men armed with hardware, ready to kill a lone star deputy. How will he defeat the mob, arrest the trio, and recover the stolen loot?

Burke is one gun against fifty. Those are impossible odds. What he needs is….50 HONEST MEN !!!

A sure-fire, hard-hitting western. Face Fifty Guns by Robert Moore Williams originally was published by MAMMOTH WESTERN (Jan 1948) and here, is reprinted by the Archer Press, in a late 1948 edition. This British edition sports a wonderful action scene likely rendered by Nat Long.

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Face Fifty Guns by Robert Moore Williams

Too Soon to Die by Don Wilcox

ARCHER Too Soon To DieAfter finishing an interview with a prospective rancher to sign on as a business partner, Doc Olin begs 24-hours reprieve before deciding. He wants to go into town and ascertain if there is bad blood between the partner and the daughter, whom left home. But when he meets her, a trio of “bad” men burst into the shop’s back door with a bloodied stump of a man.

Doc Olin tends the wounded man while a gigantic behemoth of a beast paws over the girl, calling her his sweetie pie, etc. A jealous rage burns inside the doctor as he realizes that she left the home of a decent man because she was allied with a vicious, murderous, railroad-robbing gang of cut-throats.

After saving the man’s life, he departs, informs the town doctor of his work inside the shop and advises the town doc to find the sheriff. He leaves, and signs his partnership papers.

Time passes. The partners are in a bar, as are the gang, whom taunts the rancher about his daughter being his sweetheart. Having heard enough, he knocks the brute a hard one, and this shuts him up. But, when the rancher accidentally breaks an object purportedly of the girl’s affection toward him, he guns down the rancher.

The gang flees, but not before making a scene that suggests the partner was involved. With the original owner dead and the girl not at home, it appears that he stands to take the ranch for his own. However, the father left his half legally to his daughter.

Distrust is fanned into flames betwixt the pair, and Doc finds that he must play the part of gunslinger for the first time in his life! He must go forth, capture the real killer, and beat a confession out of him.

But, how can a mere doctor compete against a dauntless gang of killers? Will he meet his end, or, is it…TOO SOON TO DIE…

This is one of four simultaneously published 32-page booklets issued in England by the Archer Press in 1948, the cover was illustrated by James E. McConnell. This short novelette originally appeared in the MAMMOTH WESTERN pulp magazine, for December 1947, and was written by Don Wilcox (full name: Cleo Eldon Wilcox)….

Too Soon to Die by Don Wilcox

Outlaw Guns by Robert Moore Williams

ARCHER Outlaw GunsA panic-stricken Ben Ames rides a rough trail into Carter County, in desperate search of a mythical town renown as a haven to outlaws looking to go straight. Wrongly accused of murder, Ben walks fearfully into the office of Sheriff Amos Rockwell, an oldster whom clearly, despite his age, can whip any gunslinger. Amos bids the outlaw to enter, sit, and spill his guts.

Ben does just that, slaps his circular on the desk, and describes his scenario. Sizing him up, the sheriff extracts a worn black book and shows Ben the contents. It is filled with pages of WANTED posters. Each page has annotations by the sheriff in the form of “when arrived,” “details of behavior,” and dates of death and why they died. For, Amos has one rule: walk the straight-and-narrow and if you don’t, he’s gonna shoot you dead. And he legally can hide behind the justification that you ARE, in fact, after all, a WANTED MAN !!!

Trusting in Ben’s wish to do go straight, he offers him a job, as a secret deputy. But then a young lady enters and is also deputized. Ben Ames wonders if Amos has lost his mind. In short minutes, he has done just that, as a Sharps rifle-blast rents the air and blows a hole through the sheriff.

Left in charge of keeping the county civil, he finds that the nearby mining town’s wagon train is robbed, within a day of the sheriff’s death. Realizing now the cause of his death, Ben Ames sets out to find the murderers and bring justice back to Carter County…in a fashion after the hard-hitting stylings of the ex-sheriff.

But when Ben is blackmailed by a cretin wielding the black book, who is also married to the deputized girl, Ben finds his back against the wall, for if he fails to adhere to the demands of this creep, he’ll call the United States Marshal to pick up: Ben Ames: Wanted…for Murder!

Ben is one man alone against a county of villains, or, is he? When ex-outlaws-turned-straight-honest men approach him in the sheriff’s office under the cover of darkness, he learns that these outlaws might be the secret strength needed to back his play to….well, you’ll just have to read the novelette yourself.

Honestly, this is an excellent western, screamingly scrunched into 33-pages using a font type smaller than what you are currently reading here on Facebook!!! Tightly packed and murder on the eyes (grab yourself a magnifying glass) you can count on Robert Moore Williams to supply a highly competent Western yarn in his usual first-rate story-tellin’ style!

Outlaw Guns was published by the Archer Press in 1948. It was originally printed in the USA pulp Mammoth Western (November 1947).

Outlaw Guns by Robert Moore Williams

Guns for the Valley by Russell Storm

ARCHER Guns For The Valley
On returning home to Maikop Valley, 22-year old Tom Crenshaw is back to reclaim his murdered father’s homestead. Five years earlier, Tom, then 17, witnessed Max Hoffman’s riders bullet-riddle his home, murdering his father and burning the home to cinders. With the realization that the Hoffman raiders believed that he was home, too, he lit out for parts unknown, to save his own life. Now, five years later, he sports a six-gun and rides with two tough gun-slinging friends with women of their own, looking for lush lands to settle and cultivate.

Tom only needs to settle a few things: his family land, a blood feud, and claim the hand of Lucy Larkin.

But when he learns that Hoffman has married Lucy and told her that Tom died five years earlier, he’s not the only one looking for answers. Lucy Larkin, fearing for her husband’s life after Tom ghostily re-appears into her life, chambers a six-cylinder into her clothes, slaps leather, and rides out to finish off Tom for keeps, despite the apparent lies that Max Hoffman has told her….

Will Lucy Larkin slay Tom, her ex-romantic childhood flame?
Will Tom and the homesteaders be fanned with hot lead?
Is Max Hoffman truly innocent?
Or, is there something else more sinister afoot?

Guns for the Valley carried Robert Moore Williams’ alias “Russell Storm” on this publication, which was originally printed in MAMMOTH WESTERN (August 1947). This British edition, printed by the Archer Press, appeared circa 1948, is a 33-page pamphlet.

Guns for the Valley by Russell Storm

Want to buy: Newspapers and Pulps!

I am hunting hundreds of detective pulp fiction magazines. Please quote me any titles you have available, from the 1920s and 1930s and 1940s. Condition does not matter. I enjoy reading, and even rough copies can be read!

Also purchasing many assorted newspapers. See my list below !

PLEASE CONTACT ME AT:
morganwallace AT gmail DOT com

Chicago Ledger (1901-1923)
Illustrated Story Weekly (1923-1924)
Weekly Ledger (1924-1925)
Blade and Ledger (1925-1938)

I am interested in the following years.
Quote all issues.
I often buy spare copies as upgrades.

1901, 1902, 1903, 1904, 1905, 1906, 1907, 1908, 1909,
1910, 1911, 1912, 1913, 1914, 1915, 1916, 1917, 1918, 1919,
1920, 1921, 1922, 1923, 1924, 1925, 1926, 1927, 1928,
1929, 1930, 1931, 1932, 1933, 1936, 1937, 1938

Also collecting numerous other story newspapers, including the following titles:

Toronto Star Weekly
(Magazine Sections, 1920s-1940s)
Toronto Star Weekly
(Complete Novel, 1920s-1940s)
Montreal Standard
(Complete Novel, 1920s-1940s)
Fiction Magazine
(Saturday or Sunday edition, 1916-1918)
Literary Magazine Section
(weekly: 1909-1910)
The Illustrated Companion (monthly: 1915-1916)

Want to buy: Newspapers and Pulps!

“Death Takes a Hand” by Frank Griffin

BEAR HUDSON Death Takes A HandPublished 1945 by Bear, Hudson, Ltd., “Death Takes a Hand” by Frank Griffin represents the publisher’s 25th printed title, and is printed on some form of flimsy cardboard stock paper. The 40-page pamphlet features a mediocre cover illustrated by H. W. Perl (which recycles a Hollywood film cut-out in the background). This is “reportedly” the author’s first fiction novel.

Born 15 October 1911, Charles Frank Griffin married Kathleen Cawood and sired many children. He served during the war for a number of years. Released from service, Griffin began to churn out gangster novels, and a few Westerns, from 1945 through 1951. And then, inexplicably, he vanished. Why precisely he abandoned the lucrative writing market when his fiction writing prowess had developed admirably, is beyond my ken.

However, if I had began by first reading “Death Takes a Hand,” I probably should never have read another Griffin book again. I’m not saying that it is horrible, mind you, but, well, it is not up to the higher level of quality that Griffin later came to represent. I’m not entirely sure this is Griffin’s fault or if the publishers excised a ton of text to make it run faster. The blurb runs: “…the tough, exciting, and streamlined story…” It’s certainly tough in places. Exciting is a stretch. Streamlined? Hardly.

If you have come this far, perhaps you are beginning to wonder what the plot of this novelette is? Okay.

Mart is running an illegal petrol / coupon business (along with other illegal activities) during the war. While discussing business with a fat man, he brings in a piece of fluff. She’s terrified of Mart and the fat man notices that she has been brutally beaten, perhaps by whippings. He threatens Mart and departs. Under normal circumstances, such a person is immediately murdered. Mart simply laughs, indicating confidence and perhaps, that he is slightly, mentally unstable.

After an illegal mission, Mart sends one of his henchmen to hire a replacement driver. They pick on recently discharged Dick Moxton, and pushing him into a drunken stupor, he meets two unsavory molls, Flo and Chinky. Here, the novel pushes into pure racism. Flo is short for Florence, and while drunk, Moxton is baffled why her hands her black while his are white. Chinky is Chinese. The girls are more than just fluff; they are tough, mean characters.

While on a driving assignment, Moxton spots a young lady trying to hitch a ride. He stops, and inadvertently rescues the young lady that Mart had terrorized and whipped. She somehow has escaped from captivity. We are given to understand she somehow escaped via the ineptitude of Mart’s servant, and that is all. Moxton inexplicably falls in love with the girl, whom is a refugee, puts her up somewhere safe and we never hear from her again except as a closing side-note at the conclusion.

That aside, Inspector Kemp is soon on the case when Moxton is brought to a hospital with his head bloodied. Seems that, while at Mart’s home, where a party was held at night, he walked out and heard a fight. Mart was assaulted by an unknown assailant, and robbed. Seeing the skirmish, Moxton, quite tipsy, attempted to intervene, but was bludgeoned. Bizarrely, Mart had Moxton brought to the hospital, and thus enters Kemp, after Doctor Raven pays him a visit, explaining the odd circumstances of his admittance and the wound. Kemp interviews Moxton, whom feigns memory loss, but Kemp isn’t falling.

Smelling trouble, he investigates Mart, learns of the illegal petrol dealings. Flo goes missing, is brutally beaten to death by Mart, and then buried with the help of another villain. Flo’s bloodied rags go missing from the room, Mart panics that someone is aware of the murder; he is later blackmailed for 10,000 pounds, and the person arriving to claim the funds is the original fat man from the beginning. We also learn that he was the man that assaulted and robbed Mart. Failing to secure the funds from Mart, the two tussle, the fat man tries to escape but ends up running upstairs into an inescapable room and Mart beats in his face…literally beats it in. Blood is everywhere by the time the servant finally arrives on the scene.

Seemingly the next day, Moxton enters, demands his back-pay, and Mart demands to know the location of the refugee. Moxton decks him, robs him, takes his safe key, and finds his own wallet (which was missing after HE was hospitalized) in the safe, and, he ruthlessly stomps his foot into Mart’s face and teeth.

Mart’s world continues to crumble when a house of ill-repute ten miles away inexplicably burns to the ground, taking all his henchmen with it (no reason is given for the fire) and Kemp and crew locate the buried remains of Flo in the garden. With a warrant, he approaches Mart’s home, alone, and the pair get into it.

Mart flees the scene, runs to his semi-secret air raid shelter, and enters a secret room. Failing to seal it, Kemp comes down the stairs to confront him. Foolishly, Mart fires and plugs Kemp twice, whom keeps coming for his man. A third shot nails a petrol container (apparently) and the whole place explodes. Kemp is propelled up the stairs, alive, and functional. While the air raid shelter consumes itself in flames, Kemp escapes. They later extract the charred body of Mart, and, the fat man of the inverted face.

Time passes, Kemp is in his office, dismayed by how the incident finalized. It closes with Kemp lamenting that he was cheated “once more” out of a big case. Again? Did Griffin write another tale with Inspector Kemp that we are unaware of…?

There are too many bizarre holes in this story to be taken at face value. Clearly much of the text was cut. And Moxton in the end has secured Mart’s “slave” again and marries her, in what is yes, a traditional happy ending, but an eye-rolling one.

If you have the desire to read Frank Griffin’s literature, you may wish to skip this one entirely, however, if you are like me, go ahead and read it, simply to see just how much his abilities improved with each publication.

“Death Takes a Hand” by Frank Griffin

STAG : Man’s Own Magazine (Spring 1946)

The second world war is over. And out of those ashes arose a plethora of new publications, borne from the minds of civilians and veterans alike. STAG: Man’s Own Magazine (Vol 1 # 1, Spring [March] 1946) was edited by Bevis Winter, and claimed to be exclusively for “men.” The opening pages are written and signed by the editor, welcoming readers out of the hell of war to the progress of tomorrow.

Stag 1

It’s also littered with stock-photos of Hollywood actresses in various poses.

  • Page 2 – Cyd Charisse
  • Page 27 – Jean Kent
  • Page 28 – Margaret Lockwood
  • Page 32 – Marilyn Maxwell
  • Page 37 – Phyllis Calvert
  • Page 41 – Ava Gardner
  • Page 42 – Frances Rafferty
  • Page 67 – Patricia Roc

An assortment of articles aimed at men include historical male figures, sports, men’s dress code, household, automobiles, etc. Then there are the usual cartoon and comic joke-snippets interspersed by artists such as “Merlin,” Geoffrey Wadlow, and a pair of others.

The real gems are the fiction stories, most of which are supplied by quality writers.

  • Ralph L. Finn – A Dame with a Difference (pages 7-11)
    A man jaded on women finds the woman of his dreams and they romance each other to pieces but he bails out on her when marriage is brought into the equation.
  • Hervey Elliot Scott – He Shot a Fat Lady (pages 16-20)
    A humorous circus murder story, involving the presumed murder of the Four Ton Florrie by the India-rubber Man. The police try him for murder, he is convicted, but, when they attempt to exact vengeance in the name of the law, bullets bounce off him, hanging him only stretches his neck, electrocution fails, etc. You get the idea. We then are informed that the Fat Lady is not dead! She merely was in a coma due to the folds of her fat, where the bullet had lodged.
  • Dennis Wynne – And the Blood Coursed Freely (pages 21-26)
    The story involves a man reliving his youthful days through a variety of action-filled silly scenarios; finding a beautiful woman, fighting and losing her. Purely a humorous tale.
  • Denys Val Baker – Water (pages 49-51)
    Baker delves deep into the sinister fascination a hydrophobic deals with on a regular, daily basis, in all forms and fears.
  • Gerald Kersh – Vision of a Lost Child (pages 55-58)
    A man grows up re-living a nightmarish tragedy from childhood in his dreams and each time he sleeps, he sinks deeper and deeper in mud. Believing that when the mud succeeds in creeping over him that he will die, he puts off sleep for over a week and seeks the aid of a psychologist. In the end, he falls asleep, and the mud wins. A deep, dark story by a clever writer of weird stories.
  • Brett Ogilvie – The Abnormal Talent (pages 62-66)
    A painter’s works-of-art come to life upon completion, only, he desires to exit the business lest he go insane. When asked by a friend to draw a gun, he performs the task. It is used against him. Thus dying, all his creations-come-to-life immediately vanish. However, the dead artist returns to life, sans his former ability! A entrancingly humorous fantasy.
STAG : Man’s Own Magazine (Spring 1946)